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Everything Here Is Beautiful: A Novel Kindle Edition
“There's not a false note to be found, and everywhere there are nuggets to savor. Why did it have to end?” —O Magazine
“A bold debut. . . Lee sensitively relays experiences of immigration and mental illness . . . a distinct literary voice.” —Entertainment Weekly
“Extraordinary . . . If you love anyone at all, this book is going to get you.” —USA Today
A dazzling novel of two sisters and their emotional journey through love, loyalty, and heartbreak
Two Chinese-American sisters—Miranda, the older, responsible one, always her younger sister’s protector; Lucia, the headstrong, unpredictable one, whose impulses are huge and, often, life changing. When Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. Lucia impetuously plows ahead, but the bitter constant is that she is, in fact, mentally ill. Lucia lives life on a grand scale, until, inevitably, she crashes to earth.
Miranda leaves her own self-contained life in Switzerland to rescue her sister again—but only Lucia can decide whether she wants to be saved. The bonds of sisterly devotion stretch across oceans—but what does it take to break them?
Everything Here Is Beautiful is, at its heart, an immigrant story, and a young woman’s quest to find fulfillment and a life unconstrained by her illness. But it’s also an unforgettable, gut-wrenching story of the sacrifices we make to truly love someone—and when loyalty to one’s self must prevail over all.
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Review
"A bold debut . . . Lee sensitively relays experiences of immigration and mental illness . . . a distinct literary voice."--Entertainment Weekly
"Extraordinary . . . If you love anyone at all, this book is going to get you." --USA Today
"Lee's debut novel is a profoundly relatable drama about how far you would, or should, go for family." --Marie Claire
"Mira T. Lee's Everything Here is Beautiful is a deeply moving story about mental illness, family loyalty, immigration, and cultural displacement. It made me laugh out loud, cry out in frustration, and marvel at the gorgeous, lyrical prose. I can't recommend it highly enough."
--Angie Kim, author of Miracle Creek for Literary Hub, "26 Books From the Last Decade That If You Haven't Read--You Should!"
"Sisterly ties take on brilliant nuance in Mira T. Lee's shattering debut about love, loss, psychosis, and what we owe ourselves and the family we love. . . beautifully written." --The Boston Globe
"This exquisite book is one that will hurtle past all your expectations." --Bustle
"Deftly dealing with big issues such as mental illness and immigration, this debut is a powerful look at love and family." --PopSugar
"[A] gorgeous yet heartbreaking debut." --Real Simple
"True to its title, everything about this book is beautiful. Lee's writing is magnificent--from her descriptions of love, family, and motherhood to her stunning portrayal of mental illness. It is the bond between sisters, however, that is the true gem of this story." --Literary Hub
"Lee's prose is economical, sharp, and piercing. But the reason I enjoyed this smarting book is for its sixth sense in portraying the bond between two sisters who are nothing like one another, and how that disparity can transition into distance. . . Lee has managed to write a book that feels wholly alive." --KQED
"Everything Here Is Beautiful is filled with unexpected, fragile moments of beauty." --Shelf Awareness
"[A] powerfully hopeful novel with characters that will stay with readers for a long time." --Bust
"[An] exciting debut about two sisters . . . the unpredictable changes of their lives, and the necessary sacrifices and important gifts that sisterhood brings." --Southern Living
"[A] promising debut. . . . Lee handles a sensitive subject with empathy and courage. Readers will find much to admire and ponder throughout, and Lucy's section reveals Lee as a writer of considerable talent and power." --Publishers Weekly
"An incredibly moving and thoughtful exploration of mental illness and its toll on family and loved ones [told] with empathy and tenderness." --Buzzfeed
"A truly stunning and emotional debut." --HelloGiggles
"[An] impressive debut . . . Everything Here Is Beautiful finds the sweet spot between the truth and beauty of a disease that can inspire hope in the midst of sadness and frustration." --Seattle Times
"An evocative and beautifully written debut."--Kirkus Reviews
"Astonishing and imaginative. . . . This electrifiying first novel is wistful, wise and utterly unforgettable." --BookPage
"This debut novel is . . . the best kind of drama."--Newsday
"Impressive." --Seattle Times
"A powerful read about sacrifice and love."--Paste
"[A] tender, beautifully written novel." --Washington Independent Review of Books
"Intelligent, thought-provoking and moving--I loved it. I felt quite bereft on reading its final pages." --Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train
"Everything Here Is Beautiful is a tender but unflinching portrayal of the bond between two sisters--one that's frayed by mental illness and stretched across continents, yet still endures. With ventriloquistic skill, Mira T. Lee explores the heartache of loving someone deeply troubled and the unbearable tightrope-walk between holding on and letting go." --Celeste Ng, New York Times bestselling author of Little Fires Everywhere and Everything I Never Told You
"Stunning and unforgettable. . . filled with voices that resonate and haunt. An intimately personal tale about family, self, and the risks we take to care for the ones we love." --Ruth Ozeki, New York Times bestselling author of A Tale for the Time Being
"Mira T. Lee deeply understands the human need for belonging, and in her compassionate debut, she presents an aching yet hopeful story of characters striving to belong despite vast impediments, and the emotional costs incurred in this quest for a love-filled life." --Imbolo Mbue, author of the PEN/Faulkner award-winning Behold the Dreamers
"A heartfelt story about sisters, family bonds, immigration, love, and an unvarnished look at how mental illnesses impact the lives of the person living with them and those who love and try to understand. . . In Mira T. Lee, mental health has found a new novelist champion." --Pete Earley, New York Times bestselling author of Crazy: A Father's Search Through America's Mental Health Madness
"A luminous testament of loss and reclamation and the painful necessity of love. . ." --Ron Powers, New York Times bestselling author of No One Cares About Crazy People: The Chaos and Heartbreak of Mental Health in America
"This heart-wrenching, delicately drawn novel is filled with family love, passion, pain and forgiveness. Mira T. Lee spins a story spanning oceans that draws us ever closer to her characters' generous, flawed hearts. Powerful and unforgettable." --Jean Kwok, New York Times bestselling author of Mambo in Chinatown
"This book took my breath away. Lee has an incredible gift for empathy--I found myself rooting for, and caring deeply about, all of characters, even when they couldn't stand each other. I especially commend her nuanced, compassionate depiction of mental illness and how it impacts families. Everything Here Is Beautiful is an insightful, generous celebration of our capacity and complexity as human beings." --Mark Lukach, internationally bestselling author of My Lovely Wife in the Psych Ward
"Everything about this book is beautiful. It's a sisters story, an immigrant story, and, more than a story of one family, it's an unflinching reflection of the fast-changing American Family." --Ron Fournier, New York Times bestselling author Love That Boy
"Everything Here is Beautiful vividly captures the kaleidoscope of emotional contradictions within our bonds to family and country. Mira T. Lee's powerful debut crafts an elegiac journey: uplifting, disturbing, and--proving its title--beautiful." --Matthew Pearl, New York Times bestselling author of The Last Bookaneer
"Mira Lee has crafted an eloquent, vivid story not just of mental illness, but of passionate longing and family love in which there are no perfect choices but always a pulsing light of hope." --Lucy Ferriss, bestselling author of A Sister to Honor
"I was steadily drawn into this beautifully-written story of enduring love and family, however family is defined. Mira T. Lee's characters are captivating and very real, illustrating how intractable mental illness marks everyone in its sphere and renders the quotidian both beautiful and threatening. A compelling read." --Daphne Kalotay, bestselling author of Sight Reading
"Charismatic and electrifying. Lee makes vivid the messiness of life and the way we tie ourselves in knots just trying to do the simplest things: love and be loved in return. A knockout." --Rufi Thorpe, author of Dear Fang, With Love
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Copyright © 2018 Mira T. Lee
Prologue
A summer day in New Jersey. A house with a yard. The younger one, four, likes to fold her body over the seat of her swing, observe the world from upside down. She circles her feet, twists the pair of steel ropes until they’re all the way wound. She kicks up her legs. The swing spins. She likes the sensation of dizziness.
The older one, eleven, in the kitchen, chops ginger and scallions, puts on the rice. Sets out a small plate of pickled radishes.
It is early morning. Their mother is still asleep. On Mondays and Thursdays she attends night classes at the local college. On Fridays she works at the accounting office until late. “One more year,” she has said, though she has promised this before. She has come a long way since her husband died and she was forced to come alone to America. The mother will soon sit for another actuarial exam. “An excellent profession,” she tells the girls with pride. They know only that it involves a lot of math.
The older one sits at the kitchen table. Opens her tin pan of watercolors, paints with quick, smooth strokes. She will try a still life today, that bowl of peaches, or a vase of Shasta daisies fresh-picked from the garden. She likes the feeling of focus. When the rest of the world falls away.
“Jie! Come look!” her sister calls from outside.
The older one doesn’t look up.
“Come here, I found something!”
She sets down her brush, heads out to the yard. The screen door slams shut behind her.
“Can you see it, Jie? There.”
In the corner, by the fence. Wet grass tickles her feet. The younger one points to something in the low branches of the dogwood tree.
“It’s a spider web, Mei-mei. See how its threads stretch from this branch to that one?”
It is their first summer in New Jersey. Their first house with a yard. Before, they lived in Third Uncle’s basement, in Tennessee.
The younger one’s eyes, wide.
“Don’t worry, Mei. You don’t have to be scared. Spiders won’t hurt you. They catch flies and mosquitoes and all kinds of other insects. See the web? The spider spins it with a silk from its body. It’s sticky. The bug gets caught in those strands and the spider eats it. It sucks out the blood.”
The younger one nods, ponders this information. The older one turns to go back inside.
“ But . . .”
The older one, impatient, though she isn’t sure why. “What, Mei?”
Her sister is pointing to the web again. It shimmers in the sun.
Catches the morning light.
“Look, Jie. See? It’s beautiful.”
Part One
Miranda
Lucia said she was going to marry a one-armed Russian Jew. It came as a shock, this news, as I had met him only once before, briefly, when I was in town for a meeting with a pair of squat but handsome attorneys. His name was Yonah. He owned a health food store in the East Village, down the street from a tattoo parlor, across from City Video, next door to a Polish diner, beneath three floors of apartments that Lucia said he rented out to the yuppies who would soon take over the neighborhood. He had offered me tea, and I took peppermint green, and he scurried around, mashing Swiss chard and kale in a loud, industrial blender, barking orders to his nephews, or maybe they were second or third cousins (I never knew, there were so many), because they were sluggish in their work of unloading organic produce off the delivery trucks. He yelled often. I thought, This Yonah is quite a rough man.
He dusted the wine, mopped the floor, restocked packages of dried figs and goji berries and ginseng snacks on the shelves. He was industrious, I could see, intent on making his fortune as immigrants do. Lucia said he played chess. I’d never known my sister to play chess, though she was always excellent at puzzles as a child. Yonah didn’t seem to me the kind to play chess either, nor to drink sulfite-free organic wine or eat goji berries. But as they say, love is strange. And I wouldn’t begrudge my sister love, nor any stranger, not even one who smoked, and was the kind of man who looked disheveled even fresh after a shower, and would leave his camo briefs lying around on the bathroom floor. I admit I was disturbed, creeped out, by his prosthetic arm, which he wore sometimes, though more often I’d find it sitting by itself in a chair.
Lucia brought him to visit our mother, who was dying. Our mother was tilted back in a green suede recliner, wrapped in cotton blankets, watching the Three Tenors video we’d given her the previous year. She took a long look at this man—his workingman’s shoulders, his dark-stubbled jaw, his wide, flat nose. Her Yoni had the essence of a duck, Lucia said (endearingly), or maybe a platypus, though she’d never seen one up close. My sister liked to discern people’s animal and vegetable essences. In fact, she was usually right.
Our mother winced as her gaze settled upon his left arm, a pale, peachy shade that did not match the rest of him. “What happened to your arm?” she said.
“An accident, when I was twenty-one.” He said it quietly, but without any shame.
“In Soviet Union?”
“In Israel. I moved there when I was teenager.”
“You are divorced,” she said, and I tried to read his thoughts in the fluttering of his blue-gray eyes. I wondered if Lucia had warned him that our mother was like that. I wondered what had been shared, what omitted, when the two of them exchanged stories over chess, over wine. I wished to say to this man: Do you really think you now know our Lucia?
“Thirteen years,” he said. “I have been divorced for thirteen years.” Our mother winced again, though it could’ve been from the pain shooting through her bowels, or her bones, or her chest.
“You are Jewish,” she said. “Jewish are so aggressive. You have children?”
“Two,” he said. “They are with their mother, in Israel.”
At the mention of the other woman, our mother spat. Once, I suppose, she would have wanted to know more, like what did he do, or how old were the children, or what were their names, or did they play musical instruments, and we might have told him that Lucia could recite twenty Chinese poems by the time she was three, or that she was a real talent on the violin, or that she’d suffered a terrible bout of meningitis at age six and nearly died.
“Why are you divorced?” she asked.
“We were married too young,” he said. The skin of his face seemed to hang off his cheekbones. A basset hound, I later said to Lucia.
“This is life,” he said to our mother.
She did not seem quite satisfied with this answer, though she nodded, expelled a heavy sigh. “Take care of my daughter,” she said.
But she was not looking at him. She was looking at me.
She fell asleep. Two weeks later, she was gone.
“Three piles,” said Lucia. “Everything in three piles.”
Keep. Salvation Army. Trash.
This was our strategy, tasked as we were with selling the house in New Jersey, as specified by our mother’s will (our childhood home, marred by death, now considered “inauspicious”). So we sorted CorningWare and gas bills and soy sauce and ice trays and Cabbage Patch dolls and garden hoses and yarn and frying pans and Maurice Sendak books and twin bed sheet sets with faded Raggedy Ann and Andy pillowcases. Keep. Trash. Keep. Keep. Salvation Army. Trash. And when we reached Ma’s bedroom, a hallowed hush, as if to acknowledge the finality in this sacred act of disturbance on which we now embarked. The desk where she’d worked, pencil in hand; the throw pillows Lucia sewed one year in home economics class; the portable radio; the clock; her Reader’s Digests; the bed where she’d lain tethered to her morphine drip, eyes closed, silent, body slack at last.
“Fashion show?” whispered Lucia.
“ Well . . .” Why not?
We peered in the closet, the one we’d raided often as impish children. We picked out two vintage cotton sundresses, one with chevron stripes, the other, zigzags. “Twirl!” said Lucia. “You,” I said, and in unison, our skirts puffed out like upside-down tulips.
We burst into tears. Twelve cycles of chemotherapy, three surgeries, three courses of radiation, two clinical trials, three remissions, four recurrences, over nine grueling years—yet the permanence of Ma’s absence still came as a shock.
We worked until late. At two in the morning, we decided to bake. We blasted Abba and Blondie and the Rolling Stones, broke out in song as flour and sugar flew everywhere. “Almonds!” said Lucia. “We need almonds!” Chinese almond cookies were Ma’s favorite, so we set down our spatulas, drove to the twenty-four-hour pharmacy to shop for nuts.
We’ll be roommates someday in an old folks’ home! We’ll be cranky and play bridge and complain to the nurses about our hemorrhoids. Ha ha, when you’re eighty I’ll only be seventy-three!
No doubt the grief made us giddy. The late hour. The fatigue. But it was like that, to be with Lucia.
We fell asleep in the family room, the house buttery warm, the waffle-weave of sofa cushions imprinted on our cheeks. And then morning came. And with it came Yonah, roaring up the driveway in a giant rental truck.
They married quickly, in City Hall. Lucia wore a sparkly tank top with pink bicycle pants, silver hoop earrings. She beamed, like a bride. Yonah wore his best khakis, a wrinkled white shirt, a bright red tie. I thought, this is who my sister is marrying: a man the shade of gravy, with a missing limb and a spaghetti-sauce-colored tie. I’d never expected my sister to marry a more conventional man, or a Chinese man, or a highly educated man with a spotless résumé. Lucia had dated a Greek boy in high school, chosen NYU over Cornell, rejected math and sciences for English, all to our mother’s dismay. And while her college dormmates had busied themselves with one incestuous hookup after the next, Lucia met a soft-spoken drummer who lived with four other musicians in Tribeca, ditched her violin for electric bass. She found her wanderlust, too, forgoing the air-conditioned offices and suits our mother and I were both familiar with to teach English in Ecuador, tutor in Brazil, volunteer at an orphanage in Bolivia. In her early twenties, she worked as a travel writer in Latin America for a small start-up firm, before returning to study journalism. She wrote feature articles now for a newspaper in Queens—the next best thing, I suppose, as there she was friendly with halal butchers, Egyptian barbers, Salvadoran cooks and the old Chinese grocers who sold dog penises and exotic mushrooms for six hundred dollars a pound.
Still, I had not imagined this.
Yonah beamed, like a groom. He beamed with the whole of his wide, duck face and his wiry brows and his small, sticking-out ears. “Take picture now!” he barked, and I followed him through the rectangular window of my camera, trying to see what Lucia could see, and yes, he was rugged, fit, masculine. Attractive, one could say. I’d never thought of Lucia marrying before me— after all, she was younger by seven years. My mei-mei.
They had signed prenuptial agreements, at my insistence. I did not think Yonah was marrying for our mother’s money (not a fortune, but far from meager), nor for Lucia’s American citizenship, but I felt my concern was reasonable. “Take more picture!” he said. I did not like how often he spoke in imperatives, though I understood that English was not his native tongue. We had that in common. I did try to like him, I did.
After the two-minute ceremony, he hugged me fiercely, strong as a bear. “Sister!” he said. “Achoti! Hermana! Sestra! Belle soeur!”
“Jie,” said Lucia.
“J-yeah!” he said in a remarkably accurate third tone. He laughed from his belly. I liked that about him. Then he scooped up Lucia with his good arm and carried her down seven flights of stairs, out to the plaza where spring blossoms danced and songbirds chirped and a rainbow might have appropriately appeared. He spun her around and around and Lucia shrieked with delight, her arms outstretched, head thrown back, bobbed hair and sharp chin shining in rays of new sun. “My wife, she is beauuuu-ti-ful,” he sang, and Lucia’s eyes shone with such clarity that even my most shrouded worries burned off like a morning fog. They were in love. Our mother, I was sure, could know this safely, from wherever that place is where the dead view the living.
Product details
- ASIN : B072KYN7LV
- Publisher : Penguin Books
- Publication date : 16 Jan. 2018
- Edition : Reprint
- Language : English
- File size : 1.6 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 367 pages
- ISBN-13 : 978-0735221987
- Page Flip : Enabled
- Best Sellers Rank: 559,354 in Kindle Store (See Top 100 in Kindle Store)
- Customer reviews:
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- Reviewed in the United Kingdom on 14 April 2019I read this book as it had been written by an old friend from primary school and thought it only polite to do so! It really was a beautifully written book and dealt with a difficult subject matter in an accessible way and was an ‘easy’ and very enjoyable read. It kept my attention and the characters were portrayed well and I must admit that I was disappointed when I got to the end, purely because I wanted to carry on reading. Am already hoping that another book is on the way!
- Reviewed in the United Kingdom on 18 January 2019Everything Here Is Beautiful is a story about family and mental illness. Each family member has to make tough decisions in their lives yet they still manage to stand by each other.
Lucia has a “normal” childhood until her 20’s when the serpents start talking to her in her head. Her mental illness takes her life into directions that no one would want to take. What I took away from all her mental issues was how much her sister, Miranda, stood by her. Even when on a different continent Miranda manages to keep in touch and find ways to support Lucia. I loved how Miranda stands up to her husband to help her sister when she needs it the most yet she doesn’t allow Lucia to take advantage.
By reading this book I was able to better understand how mental illness can affect a person, a family, and a society. The points of view of Lucia without the serpents and Lucia with the serpents opens my eyes to how helpless a person can be when really they just want a life with love, support, and family. Miranda, Manny, and Yonah also get their turns sharing their stories in alternating chapters. This gives the reader a total look at the life of Lucia and how it appears to those who know her best.
Mira T. Lee is amazing. This is a debut book from her and she has already secured a spot on my MUST-READ list. I highly recommend picking up your own copy of Everything Here is Beautiful.
- Reviewed in the United Kingdom on 15 March 2019Loved the story, about 2 sisters. It explores mental ill health of one of the sister's. Written really well and is a real page Turner.
- Reviewed in the United Kingdom on 8 February 2018Careful tender story of sisterly love, madness, friendship and loyalty. Some problems can never be solved, but there are moments of beautiful connection in the cracks.
- Reviewed in the United Kingdom on 20 January 2019Book and delivery as described
- Reviewed in the United Kingdom on 5 August 2021In clear, dazzling prose, Mira T. Lee invites us into the worlds of Miranda, Lucia, Manny and Yonah, the characters in her novel, Everything Here is Beautiful. As readers, we get to see Lucia's struggles with mental illness from all their points of view and learn how the effects of her illness ripple out to impact so many lives. Lucia is a wonderful character - brilliant, funny, sassy, bold, and plagued by chronic mental illness. At times it steals her away from her family, and sometimes she comes back, but everyone bears the scars of her episodes. Particularly effective in this book was the sense of just how much the characters cared about each other. Even when this love wasn't enough to solve all the problems, it still mattered, it still bound them all together. Quietly devastating and beautifully written. Brava!
- Reviewed in the United Kingdom on 16 January 2018Miranda and Lucia are sisters. Miranda is always looking out for the younger and more impulsive Lucia. Their single mother is from China, but relocates to the United States where she's getting an education and is working hard to give her daughters a good future. Miranda and Lucia are both intelligent and talented and they each study hard. However, when their mother dies the first cracks start to appear in their relationship. Lucia is struggling with demons Miranda doesn't understand. Miranda is trying to keep her sister safe, but it's difficult because of Lucia's erratic behavior. What will happen to the sisters now that they only have each other?
Lucia marries an older man because he's her soul mate. She's happy for a while, but then the unpredictable uncontrolled behavior starts coming back and it's much worse this time. Miranda tries to get help for her sister, but Lucia doesn't want to listen to her. The problems between them become much deeper. Eventually Miranda moves to Switzerland to follow her own happiness, but she never stops taking care of Lucia. Lucia leaves her husband to have a child with a man originally from Ecuador and that is when she completely spirals out of control. What will happen to the mentally ill Lucia, will she be able to get the care she needs and have a little bit of stability or will her illness keep making life hard for her? Can Miranda still manage to provide the support her sister has to have or is she in over her head?
Everything Here Is Beautiful is a fantastic impressive story. Miranda and Lucia couldn't be more different and I liked the alternating points of view, which makes it possible to get to know them both very well. Miranda is the voice of reason. She is serious, knows what she wants, hardly has any joy and is incredibly driven. Lucia is a free spirit who has a lot of fun at first. Lucia's illness makes her careless and she makes decisions she later regrets. It's difficult for her to be a mother, but she does the best she can. Lucia struggles with her illness and taking medication she doesn't want to take. My heart ached for everything she has to go through. It's tough for both her and her sister who has to watch her destruction without being able to do anything to help her. I admired the open and emphatic way Mira T. Lee describes the mental illness Lucia is dealing with. The result is a beautiful tragic, poignant story that moved me to tears.
Mira T. Lee's writing is vibrant, detailed and gorgeous. I liked the way she describes her settings. She makes it easy to picture them and she makes them come to life in a fantastic colorful way. I was fascinated by the cultures she writes about. She does this by giving fabulous details about food, running a household, the way people form friendships and much more. Every single element of her book is exactly right. I loved how she combines a gorgeous story about a complex sibling bond with unexpected twists and turns. Everything Here Is Beautiful is an amazing emotional novel that will stay with me for a long time.
- Reviewed in the United Kingdom on 9 April 2018This is a beautiful and devastatingly sad novel and I didn't want it to end.
Top reviews from other countries
- F. Tyler B. BrownReviewed in the United States on 23 August 2018
5.0 out of 5 stars Empathy's Everything
“For the families. Empathy: because the commonality among human beings is emotion, and the only way we can bridge our vast discrepancies in experience is through what we feel. Let us be humbled in the knowledge that one may never fully understand the interior lives of others – but let us continue to care.”
Mira T. Lee’s hauntingly-beautiful, debut novel begins with this mantric, prayer-like author’s note. In the ensuing pages is a first-rate novel, and story about emotion, empathy, loss, mental illness, family, and the love that binds us all.
The novel spans decades, and the story crosses borders between New Jersey, the Lower East Side of Manhattan, Queens, Ecuador, Switzerland, and Minnesota. Early in the novel, we find out Lucia is struggling with mental illness, some combination of bipolar and schizophrenia.
We see this illness from the loving, but sometimes suffocating and over-bearing eye of her dedicated and caring sister, Miranda.
We see this illness from the eyes of her loyal and loving husband, Yonah.
We see it through the eyes of her younger, romantic partner, Manuel.
We see it through the eyes of the town of Meyer, MN.
And perhaps most importantly, we experience Lucia’s illness through her own eyes and heart.
We also see how the illness ripples through the broader family.
We see how it both complicates and enriches Miranda’s marriage to Stefan.
We see how it binds Manuel’s extended family through a near-tragedy.
We see how it provides support to a friend that Lucia meets when both are seeking help at a treatment facility.
We see how it teaches Yonah what it means to love.
Lee’s narrative form evokes empathy in the reader. Chapters are told from shifting points of view: the protagonist Lucia, her sister Miranda, her two lovers, Yonah and Manuel. In this way, we see Lucia’s mental illness and life through the same kaleidoscope through which all families experience the suffering and triumphs of their loved ones.
At one point in the novel, Miranda feels she needs to visit her sister in Ecuador. Stefan, her husband, views another cross-Atlantic trip from Switzerland as futile.
Husband and wife’s difference of opinion in this scene echo an earlier moment in the story, when Miranda says to her husband, “But that’s not her, Stefan.” With Miranda’s exasperation, we ache that her husband only knows the Lucia that is not well, not her fullest self. We bemoan this gap in knowledge between Miranda and Stefan, arising from the Lucia each knows. We see how, at times, this experience gap can be a wedge between Miranda and Stefan.
Stefan much later says to Miranda, as he questions whether she should go see her sister and whether the trip will make a difference, “I love you, Miranda…I love you.”
To which Miranda says, “This is me, Stefan.”
“This” being her relationship with her sister, and all that it encompasses.
In this small exchange, Miranda is trying to tell her husband that through blood, empathy, sisterly-bond, love, through mysteries untold, whatever you want to call it…Miranda and Lucia are one. Lucia’s life is inseparable from Miranda’s.
But also, love is not finite. Miranda has enough of it for her husband and her sister. Love makes Miranda and her husband one too. Makes us all one.
To embrace me, Miranda seems to be saying, you must embrace Lucia’s illness as if it were your own.
And this invitation is not just for Stefan or any one person. Miranda’s beckoning is perhaps the overriding call-to-action emanating from this story. The story of Lucia and her family is a mandate for us all. We cannot love in isolation. “For the families” - the author’s note is intentional in its broad address. We must love one another, love all, in sickness and in health. Further, empathy within a family need not stop there, should not stop there. It must expand beyond the family to community, and ultimately beyond that to all humanity.
In this honest, bare-naked, and authentic story of family and the ties that bind them, Lee will surely turn the hearts of readers outward. The story of Lucia and the pain/love that connects everyone around her is from the same batch of pain/love that connects us all to each other. Empathy and emotion binds everyone, and must be indiscriminate and open towards those enduring mental illness or experiencing suffering of any kind.
The story of Lucia will help us see that when anyone suffers, that person - like Lucia is for Miranda - is not another, but is us too; and so, he/she deserves our undying empathy.
- SnapdragonReviewed in Australia on 7 April 2018
5.0 out of 5 stars Stunning
This is a very meaty book, covering all sorts of ground. Miranda and Lucia (Jie and Mei) are Chinese sisters raised by their single mother in the US. The girls are very close. Lucia marries an older one-armed Israeli who runs an organic deli in NY. Despite their differences, it works. The trouble in Paradise that changes everything is Lucia’s mental illness. It changes a lot of lives.
Author Mira T Lee takes us on a compelling journey as Lucia, wanting a child, leaves Yonah, hooks up with an illegal immigrant from Ecuador, has a baby girl Esperanza, has breakdowns, recovers, fights with her sister and partner about taking her pills, moves to Ecuador to live in a traditional campo, doesn’t quite fit in, plots to take Essie and go back to the States to live with Yonah ... and so on. Miranda meanwhile, marries a Swiss doctor and moves to Switzerland. Lee’s understanding of mental illness is profound, both from the point of view of the sufferers and those close to them. Miranda in particular examines her conscience, wondering how things would have turned out had she acted differently.
Many things are beautifully portrayed. The fear illegals live with. Life in rural Ecuador. The shifts in people’s lives as folk make decisions about where to live and what to do. How the illness can affect a sibling’s marriage. How the life of a simple, good man can be changed utterly. How relationships change. It’s done with great skill and seeming effortlessness. As a meditation on life itself it will no doubt become one of our most revered books, and I don’t say that lightly. It’s deeply affecting.
- Kim RichardsReviewed in Canada on 9 July 2019
5.0 out of 5 stars Lovely read and character perspectives
A refreshing read on difficult aspects of being human. Perspectives from different characters was engaging and infused this novel with an aliveness that made me sad when the novel ended.
- C. HenryReviewed in the United States on 6 September 2020
4.0 out of 5 stars A grand, poignant story. Spoiler Alert!
I so needed to enlarge my exploration of characters and ethnicity. This BEAUTIFUL book is so rich in different cultures, and so interestingly blends the cultures and characters. Though the ending is certainly heartbreaking, maybe it was the best conclusion for all involved.
- C8 SparrowReviewed in Canada on 8 February 2018
4.0 out of 5 stars Good read...
It was an accident that I read a book about mental illness during the annual Bell Let’s Talk campaign. It was a story of two sisters. And that was the appeal. I am one half of two sisters. It was coincidence that I lost my sister to mental illness thirty years ago. I felt as though this book gave me a glimpse into my own sister’s tortured soul. Her struggle with accepting diagnosis and the prospect of a lifelong companionship with pharmaceuticals. It was a beautiful, sad story. Mira T Lee tells it well. She describes the two serpents in Lucia’s mind so perfectly. I could picture them. What was best was the unique points of view of all the characters and how far-reaching the effects of mental illness really are. Although I am already aware, my awareness is sufficiently raised. And sadly, love isn’t always the answer.