From the Inside Flap
The stronghold of white-collar crime in the rarefied world of high finance?this is the setting for Peter Spiegelman's edgy, suspenseful, sharply-honed debut novel.
At the center: John March, who walked away from his family's venerable merchant bank for the life of a rural deputy sheriff?a life that would explode in personal tragedy and professional disaster. Three years later, he's back in Manhattan, working as a PI and running from his grief and the expectations of his wealthy family.
March takes the case of Rick Pierro, a self-made man who has everything?and who's in danger of losing it all. An anonymous, poisonous threat has implicated him in a vast money-laundering scheme already under investigation by the feds.
March's own investigation uncovers a blood-stained paper trail that leads him deep into the lives of both insiders and outcasts on the street. He discovers that his client may be the latest victim of a serial extortionist diabolically adept at psychological and physical intimidation, but the more March learns the more questions he has about Pierro, his wife, and the secrets hidden beneath the glossy surfaces of their lives. And the more he begins to fear that his own blood will be added to the trail before the case is closed.
With its headlong narrative, quick, incisive language, and brilliantly clarified details of finance?the legal and the illegal?Black Maps is a stunning first novel.
From the Back Cover
John March walked away from his family's merchant bank for the life of a rural deputy sheriff-a life that would explode in personal tragedy and professional disaster. Three years later, March is back in New York City, working as a private investigator and still running from his grief and guilt. When he takes the case of Rick Pierro, a wealthy investment banker threatened by blackmail, March is swiftly drawn into a web of Wall Street insiders and outcasts, and back to a world he thought he'd left behind. The more he learns about Pierro's connections to a notorious international bank that made billions in blood-money, the darker the terrain becomes. Soon March's own life is in danger, as he follows a trail of blood and shattered lives to a ruthless and depraved extortionist.
In this thrilling and intelligent debut, Peter Spiegelman illuminates the dark underside of the financial world and introduces one of the most compelling fictional detectives of the new millennium.
About the Author
Peter Spiegelman worked on Wall Street for twenty years developing software systems for international banking institutions and retired in 2001 to devote himself to writing. He lives in Connecticut.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
Everyone was in a bad mood. It was a palpable thing in midtown, as pungent as the bus exhaust on the cold evening air and as loud as the traffic. The streets were awash in it. Cars and trucks and taxicabs were locked in mortal combat, surging forward by inches, then rocking to a halt, their drivers cursing and leaning on their horns, their passengers fuming. Surly streams of people poured from office towers and washed into the gridlock, adding their own fulminations to the angry grind. Sharp elbows and rude gestures were everywhere.
Maybe it was the season that brought it on—a week before Thanksgiving, the cusp of the holidays. Maybe it was the prospect of Christmas shopping, or of all that family time, bearing down like a freight train. Maybe it was the gnawing obsession with this year’s bonus—assuming there was one—or the corrosive dwelling on the next round of layoffs. Maybe everyone was battle fatigued—edgy from the latest terror alerts, strung-out from life in the crosshairs. Or maybe it was just another hellish rush hour. Whatever, it was some nasty karma.
At seven p.m. I was threading my way through these wretches, headed up Park Avenue toward 52nd Street. The intersection was a particular mess. Sawhorses and traffic cones were scattered across it, and in the middle of the street was a trench that belched steam. Steel plates only partly covered the excavation, and I wondered if anyone had yet disappeared into its depths. I crossed 52nd, threading between two taxis, and pushed against a wave of people into the lobby of Mike’s building. I crossed the marble floor to the guard station, produced half a dozen pieces of ID, waited while they called upstairs, signed in, and got on an elevator. I pressed 30, and the doors closed silently.
Michael Metz is a partner at the law firm of Paley, Clay and Quick, and the firm’s biggest rainmaker. He’s also my friend, and has been since college, from the day we first chased each other around a squash court, vying for a spot on the team ladder. For the last couple of years, he’s also been my most regular employer. Mike’s got an eclectic practice—corporate work, entertainment, matrimonial, every now and then some criminal work. And I’ve done lots of different things for him— background checks, find-the-girlfriend, find-the-boyfriend, find-the-assets. But tonight, he’d said, was something different.
The elevator doors opened with a sigh, and I stepped into Paley, Clay’s reception area. At this hour, in this season, it was dark and quiet. The front desk sat in a pool of light and looked like a mahogany tollbooth. It dwarfed the old guard dozing behind it. He yawned and rubbed his eyes as I approached.
“John March to see Mike Metz,” I told him. He flipped slowly through the wrinkled papers on his clipboard and punched some numbers into the phone. He whispered into the handset, and told me in a voice I could barely hear to go in.
I pushed through glass doors and walked down a broad corridor lined on one side by shelves of law books, and on the other by offices. The offices were mostly dark, though here and there I spotted some luckless associates and scowling paralegals. I turned a corner and passed a vacant conference room, an empty kitchen, and a small clutch of people staring anxiously at a copy machine. I walked through another set of glass doors into a region of larger offices, Oriental rugs, and dark wood paneling. Partner country.
Mike stood at the end of the hallway, outside the double doors of his office. He was bent over his secretary’s desk, pen in hand, leafing through a thick file. He was, as always, impeccably turned out. He wore a navy suit, expertly cut to his lanky frame, a brilliant white shirt, and a tightly knotted tie, patterned with green and gold dolphins leaping on a field of royal blue. His cuff links were enamel hexagons in a blue that matched his tie. His cap-toed shoes were gleaming black. As a concession to the late hour, he had unbuttoned his jacket.
He pulled a sheaf of papers from the file, set them on top of the folder, scrawled something on the top page, and put the whole pile in the center of his secretary’s spotless desk. He straightened to his full six-foot-four height and ran a hand through his sparse, dark hair. Mike is in his middle thirties, just a couple of years older than me, but he looks forty-something. The price of partnership, I guess. He still plays competitive squash, though, and the impenetrable calm and arctic patience that drove me nuts in college still carry him into the late rounds of every tournament he enters. They make him pure hell to face in a courtroom, too. He eyed my clothes.
“You sort of dressed for the occasion,” he said. “Thanks.” Unlike Mike, I was not always impeccably turned out. According to him, several of his partners were sure I was a bicycle messenger. But now, in gray flannels, a black wool polo shirt, and a black leather jacket, I was well within the bounds of appropriate.
“No visible tattoos, no piercings, and I unscrewed the bolts in my neck. What more could you ask?” I said. “Where’s your guy?”
“In the conference room, but let’s talk a little first.” Mike leaned against the desk.
“That would be good,” I said, “since you’ve told me exactly nothing about this.” I sat in his secretary’s chair.
“There’s a reason. The guy is shaken up right now, and based on what he’s told me, he’s probably right to be. I’ve known him a long time, and he’s not usually a jumpy guy. But right now he’s scared and paranoid.”
“Okay, he’s scared and paranoid, no different from most clients. But what’s his problem? And does he have a name?” Mike looked at me. A rueful grin came across his lean, sharp-featured face.
“He does,” Mike answered, “but he’d rather I didn’t tell you what it is—or anything more about him—until he’s had a chance to size you up.” My eyebrows went up. “He wants to look you over. He wants to get a sense of you before he starts talking about his problems. Like I said, he’s scared. You have to bear with him.”
“He understand that I’d actually be working for you on this?”
“He understands. And I told him I’ve had a lot of experience with you, and that you’re smart and thorough and stubborn, and that you run faster and jump higher and have healthy teeth and a shiny coat, and probably some other lies too. But he’s jumpy.” Mike shrugged.
“Let’s go,” I said, sighing, and I followed him into the conference room.
The room was dim, lit only by the small ceiling lights that shone on the architectural prints ranged around the walls, and by the city lights that glowed through the bank of windows opposite the door. In the center of the room was an oval table in dark wood. A man was sitting at it, facing the door. On the table, next to him, was a small filing box. The man didn’t look scared and he didn’t look jumpy. He looked rich.
He was in his early forties, with olive skin and black hair brushed straight back from a wide forehead. He had a broad chest and thick neck, and thick shoulders and wrists. His wide face was clean-shaven, with dark, deep-set eyes and a nose that looked like it might once have been broken. He had the start of a double chin and a slight blurriness to his jawline that might some day ripen into jowls. But it hadn’t happened yet. Now he was like a sleek, well-fed bear. And a well-dressed bear, too. He wore a shirt striped in several shades of blue, and a silk tie in a dark, solid red. At his cuffs were intricate gold knots. A gray suit jacket was slung over the chair next to him. He stared at me but said nothing.
I sat down across the table from him. Mike shut the door, drifted over to the window, and stared out at the nighttime city. The man sat back, propped his elbows on the arms of his chair, and looked at me over the top of his steepled fingers. Then he rubbed his eyes with his fingertips and took a deep breath. And then we were all quiet for a while. Still looking out the window, Mike prompted him.
“You had some questions for John.”
“Yeah,” he answered after some thought. He slipped a thick silver pen from his shirt pocket and began to twirl it in his right hand. “Yeah. My first question is how long have you been doing this? Investigating.” His voice was surprisingly soft and had a trace of an accent. Brooklyn or Long Island.
“Just over two years,” I answered. “I was a cop for seven years before that.”
“In the city?” I shook my head.
“Upstate.”
“Albany?”
“Farther north. Burr County. It’s in the Adirondacks.” He was quiet and looked at me some more.
“You from up there?” he asked.
“No.” I didn’t offer any more. He thought about that a little and then went on.
“You were a detective?”
“I was a sheriff’s investigator for five years. I spent the first two in uniform.”
“Homicide investigator?”
“We weren’t set up that way. We were a small department, so investigators covered everything. Property crime, domestic, drugs, vice. And homicide,” I added.
“Not much white-collar crime up there, I guess,” he observed. I laughed a little.
“Not much.”
“How old are you?” I glanced at Mike, who gazed like a lighthouse keeper out over the city.
“Thirty-two.”
“You go to college?”
“Yes.”
“You start with the sheriff right after?”...
John March's tragic past keeps catching up with him when he is asked to investigate a possible money launder-ing/blackmail scheme involving high- flying financiers and some very nasty characters. A country cop turned city P.I., he has a knack for irritating suspects and fellow lawmen alike. Only the fact that he is telling you the story assures you that he survives. You hear March's toughness, intelligence, and pain in the voice Baker gives him; other voices help you keep track of the complicated plot. The pace quickens for the violent parts, then ebbs for what few tender moments there are. Listen carefully and enjoy. J.B.G. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine
