"Death changes everything." So begins Dorothy Allison's sprawling, ambitious, and deeply satisfying second novel, Cavedweller. For Delia Byrd, Randall Pritchard's death in a motorcycle accident launches a journey of several thousand miles and almost two decades, a rebirth of sorts that's also a return to her roots. Years before, the handsome but untrustworthy rock star Randall helped Delia flee an abusive husband; Delia escapes physical danger but leaves her two small children behind. In California, her abandoned daughters haunt her dreams and preoccupy her waking hours, even as she sings in Randall's band and gives birth to another daughter, Cissy. But when Randall is killed in a motorcycle accident, Delia packs rebellious Cissy into a broken-down Datsun, bound for Cayro, Georgia, and the one thing that suddenly matters more than anything else: her abandoned children and the chance to be a mother to them once again. Cayro's poverty is emotional as well as material; the town is a hard place, full of hard people. To them, Delia will always be "that bitch" who abandoned her babies, "that hippie" living a life of sin. Nonetheless, Delia forges a cruel bargain with her former husband: in exchange for Delia's agreeing to care for him as he dies, he gives her a chance to reclaim her daughters. Like Bastard out of Carolina, Allison's acclaimed debut novel, Cavedweller is a chronicle of rage, strength, and survival. Here, however, Allison is equally concerned with the redemptive power of love and forgiveness, and a novel that began with death ends on an unexpectedly sanguine note: "'Yes, it's time for some new songs.'" There are no victims in Dorothy Allison's work; Delia triumphs through sheer force of will, bringing her family together despite the contempt of almost everyone around her.
The novel has its flaws--including occasionally flat-footed prose--but it is in the end compulsively readable, and it's populated by some of the most memorable characters in recent fiction: tough, prickly, flawed, and deeply human, Delia and Cissy are literary creations of the first rank. In describing the complicated emotions that bind and divide them, Allison demonstrates a profoundly unsentimental understanding of the way the human heart works. Cavedweller is the work of a mature artist, her best fiction to date.
--This text refers to an alternate kindle_edition edition. Review
...a mix of down-home authenticity, old-time religion and neo-paganis ... [T]he central story of mother and daughter runs true, both on and beneath the surface. -- Time, R.Z. Sheppard
Bastard Out of Carolina proved that Allison could write about her own life with almost painful comprehension. Now Cavedweller confirms her as an equally brilliant fictional storyteller. -- The Times, Sarah Harris
This is not a novel interested in formal invention, in ironic distance or even in elegant prose. It doesn't give two cents for post-modern preening or cold intellectual approaches.... It reaches back to the conventions of straightforward storytelling and pays close attention to the way women get by, the way they come to forgive one another, the way they choose who they will be. -- The New York Times Book Review, Valerie Sayers --This text refers to an alternate kindle_edition edition. Allison's debut novel, Bastard out of Carolina (1992), was a blazing success, and her second, a mama-bear of a book that will send readers deep down into another realm, far from everyday consciousness, is sure to excite the same degree of passion. A premier storyteller working in the rich, family-focused, and secret-filled tradition of southern literature, Allison begins this long, dramatic novel with an arresting short sentence, "Death changes everything," and by the time she wraps up her saga of Delia Byrd and her three daughters, she has charted the course of many births, deaths, and rebirths, both physical and spiritual. Delia's legacy is one of abandonment and violence, a love-poor background that leads her to marry a man who beats her so severely she has to flee for her life, leaving her two baby girls behind. This brands her as a great sinner in the beady eyes of the unhappy citizens of tiny Cayro, Georgia, then, to make matters infinitely worse, she becomes a rock-and-roll star, living the glam life in L.A. But Delia cares nothing for fame, and never stops longing for her daughters, even after having a third, Cissy, and she gives it all up as soon as Cissy's father dies, hightailing it back to Georgia to reclaim her real life. Cissy, the cavedweller of the title and a young character of mythic dimensions on the order of Toni Morrison's Sula, is at the molten core of this mystical tale of blood ties and friendship, madness and love, hard work and grace, and she is something to behold. Donna Seaman --This text refers to an alternate kindle_edition edition. Delia Byrd returns home to Georgia from a fast-paced rock-and-roll lifestyle in Los Angeles to reunite with the daughters she had to leave behind. Dean Robertson's voice is perfectly suited for the tones of these Deep South characters. Her voice is at once lilting and gruff, maneuvering through Dorothy Allison's text like a raft on oftentimes turbulent waters. The story is about familial relationships being mended, relationship with the self being forged. Robertson does an excellent job illustrating those and the many other psychological nuances in Allison's novel. R.A.P. (c)AudioFile, Portland, Maine --This text refers to an alternate kindle_edition edition. From Publishers Weekly
Four women endure pain, experience epiphanies and find imperfect but bearable methods to continue their lives in Allison's moving second novel, after the celebrated Bastard Out of Carolina. After Delia Byrd buries Randall Pritchard?father of her 10-year old daughter, Cissy, and guitarist of the rock band Mud Dogs, for which she was the soulful singer?she leaves L.A. and hits the road to backwoods Cayro, Ga., the town she left a decade ago, fleeing her violent husband, Clint Windsor, and abandoning her two baby daughters. In Cayro, she suffers the scorn of most of the community, who condemn her as a sinner and an unnatural mother. Eventually, she strikes a bargain with Clint, offering to tend him on his deathbed if he will allow her to reclaim her daughters Amanda, 15, and Dede, 12, from their stern, Bible-quoting grandmother. The narrative covers the next few years, during which Delia fights poverty, exhaustion, her household's emotional turbulence and the urge to drink. Sanctimonious Amanda pursues moral rectitude with evangelical fervor; sexpot Dede dreams of driving a big truck down the highway; and outwardly tough but vulnerable Cissy discovers peace of mind in spelunking and begins to suspect her sexual orientation. Allison widens her tale to include other members of the community, rendering some hard-faced, cold-blooded rednecks with unsparing honesty. She weaves into the story such themes as female bonding, the power of hate and the puzzle of love, the hard path to forgiveness and acceptance. There are some problems: the teenage girls often speak unconvincingly sophisticated dialogue, and the narrative tends to ramble. Nevertheless, the novel has a restless energy and consistently interesting characters that will keep readers caring about the flawed but valiant women who manage to surmount their private griefs through stubborn determination. 100,000 first printing; BOMC and QPB featured alternates; author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition. From Kirkus Reviews
An increasingly absorbing story of ``a family in pieces, pulling itself back together out of one woman's stubborn determination,'' by the author of the bestselling Bastard Out of Carolina (1992), a National Book Awardfinalist. In plain impassioned prose enlivened by superbly salty dialogue, Allison gradually discloses the inner lives and secret histories of four bewildered, determined women who eventually come to understand themselves by grappling with the complicated permutations of their mingled fear, hatred, and love of and for their families, husbands, lovers, and one another. Their story begins when Delia Byrd, a rock-and-roll singer whose partner has died in a motorcycle accident, takes their preadolescent daughter Cissy with her across the country on an impulsive mission to reclaim the two other daughters Delia had abandoned a decade earlier when she fled their abusive father, who had all but killed her. The pair's destination is Cavro, Georgia, a closemouthed backwater where Delia, remembered as ``that bitch [who] ran off and left her babies,'' must painstakingly reconnect with her sin- -helping her cancer-stricken husband to die, and submissively biding her time as her girls grow into variously troubled and empowered women. Cissy's older half-sister Amanda is a religious zealot finally softened by her acquaintance with the consolations of ``sin.'' The younger, Dede, works through her ``wildness'' and anger to the possibility of a loving relationship. And Cissy finds in her obsessive explorations of a nearby cave a passageway ``into her dream self'' and the strength to seize her future. All comes together with Delia's stunning revelation of the ``stolen world'' of her childhood--a world that she and hers, through sheer force of will, essentially recover. Allison's breakaway intensity and warm identification with her characters carry this long book triumphantly over its repetitions and overemphases, producing an altogether wonderful second novel and, for its author, a giant step forward. (First printing of 100,000; Book-of-the-Month/Quality Paperback Book Club featured alternate selection; author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to an alternate kindle_edition edition. About the Author
Dorothy Allison is the bestselling author of several novels including Bastard Out of Carolina, Cavedweller, and Two Or Three Things I Know For Sure, which are available from Brilliance Audio. The recipient of numerous awards, she has been the subject of many profiles and a short documentary film of her life, Two or Three Things but Nothing For Sure. She lives in San Francisco. --This text refers to an out of print or unavailable edition of this title.
