These promotions will be applied to this item:
Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.
Audiobook Price: $12.67$12.67
Save: $5.18$5.18 (41%)
Your Memberships & Subscriptions

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Horrorstor: A Novel Kindle Edition
Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking.
To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they’ll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination.
Customers who bought this item also bought
- My Best Friend's Exorcism: A NovelKindle Edition with Audio/Video
- She didn’t expect life to be fair, but did it have to be so relentless?Highlighted by 977 Kindle readers
- Life doesn’t care what you want, other people don’t care what you want. All that matters is what you do.Highlighted by 950 Kindle readers
- Scratch a rebel, Amy thought, and you’ll always find a father’s credit card.Highlighted by 671 Kindle readers
From the Publisher

Editorial Reviews
Review
“Disarming.”—The Wall Street Journal
“Wildly inventive...Hendrix delivers both a palm-sweating horror story and a laugh-out-loud satire of retail.”—Esquire
“Highly giftable.”—Buzzfeed
“Hendrix conjures up some wonderfully gruesome imagery.”—Nerdist
“An inventive, hilarious haunted house tale.”—Bustle
“Hendrix’s one-of-a-kind novel is an innovative hybrid of ghost story and satire, at once clever, gruesome, and hilarious.”—Amazon Book Review
“If you’ve ever been frustrated trying to put together furniture from IKEA, you’ll get a laugh out of Hendrix’s spoof mystery.”—New York Post
“Hendrix is an engaging writer.”—Santa Fe New Mexican
“A clever little horror story...[and] a treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living.”—Kirkus Reviews
“A fun horror novel.”—Library Journal
“A very clever ghost story.”—Booklist
“The book’s packaging as a catalog—complete with illustrations of increasingly sinister-looking furniture with faux Scandinavian names—gives it a charmingly oddball allure.”—Publishers Weekly
More praise for Grady Hendrix:
“National treasure Grady Hendrix follows his classic account of a haunted IKEA-like furniture showroom, Horrorstor (2014), with a nostalgia-soaked ghost story, My Best Friend’s Exorcism.”—The Wall Street Journal, on My Best Friend’s Exorcism
“Pure, demented delight.”—The New York Times Book Review, on Paperbacks from Hell
“Terrific... Sharply written... [My Best Friend’s Exorcism] makes a convincing case for [Hendrix’s] powers as a sharp observer of human behavior.”—The A.V. Club, on My Best Friend’s Exorcism
“Hendrix’s darkest novel yet will leave readers begging for an encore.”—Booklist, starred review, on We Sold Our Souls
“A true appreciation of the genre.”—Los Angeles Times, on Paperbacks from Hell
“Campy. Heartfelt. Horrifying.”—Minnesota Public Radio, on My Best Friend’s Exorcism
“Clever, heartfelt, and get-under-your-skin unnerving.”—Fangoria, on My Best Friend’s Exorcism
“A good, creepy, music-tinged thriller.”—CNET, on We Sold Our Souls
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
But every morning, five days a week (seven during the holidays), they dragged themselves here, to the one thing in their lives that never changed, the one thing they could count on come rain, or shine, or dead pets, or divorce: work.
Orsk was the all-American furniture superstore in Scandinavian drag, offering well-designed lifestyles at below-Ikea prices, and its forward-thinking slogan promised “a better life for the everyone.” Especially for Orsk shareholders, who trekked to company headquarters in Milwaukee, Wisconsin, every year to hear how their chain of Ikea knockoff stores was earning big returns. Orsk promised customers “the everything they needed” in the every phase of their lives, from Balsak cradles to Gutevol rocking chairs. The only thing it didn’t offer was coffins. Yet.
Orsk was an enormous heart pumping 318 partners—228 full-time, 90 part-time—through its ventricles in a ceaseless circular flow. Every morning, floor partners poured in to swipe their IDs, power up their computers, and help customers size the perfect Knäbble cabinets, find the most comfortable Müskk beds, and source exactly the right Lågniå water glasses. Every afternoon, replenishment partners flowed in and restocked the Self-Service Warehouse, pulled the picks, refilled the impulse bins, and hauled pallets onto the Market Floor. It was a perfect system, precision-engineered to offer optimal retail functionality in all 112 Orsk locations across North America and in its thirty-eight locations around the world.
But on the first Thursday of June at 7:30 a.m., at Orsk Location #00108 in Cuyahoga County, Ohio, this well-calibrated system came grinding to a halt.
The trouble started when the card reader next to the employee entrance gave up the ghost. Store partners arrived and piled up against the door in a confused chaotic crowd, helplessly waving their IDs over the scanner until Basil, the deputy store manager, appeared and directed them all to go around the side of the building to the customer entrance.
Customers entered Orsk through a towering two-story glass atrium and ascended an escalator to the second floor, where they began a walk of the labyrinthine Showroom floor designed to expose them to the Orsk lifestyle in the optimal manner, as determined by an army of interior designers, architects, and retail consultants. Only here was yet another problem: the escalator was running down instead of up. Floor partners shoved their way into the atrium and came to a baffled halt, unsure what to do next. IT partners jammed up behind them, followed by a swarm of post-sales partners, HR partners, and cart partners. Soon they were all packed in butt to gut and spilling out the double doors.
Amy spotted the human traffic jam from across the parking lot as she power-walked toward the crowd, a soggy cup of coffee leaking in one hand.
“Not now,” she thought. “Not today.”
She’d bought the coffee cup at the Speedway three weeks ago because it promised unlimited free refills and Amy needed to stretch her $1.49 as far as it would go. This was as far as it went. As she stared in dismay at the mass of partners, the bottom of her cup finally gave up and let go, dumping coffee all over her sneakers. Amy didn’t even notice. She knew that a crowd meant a problem, and a problem meant a manager, and this early in the day a manager meant Basil. She could not let Basil see her. Today she had to be Basil Invisible.
Matt lurked on the edge of the semicircle, dressed in his usual black hoodie. He was glumly eating an Egg McMuffin and squinting painfully in the morning sun.
“What happened?” Amy asked.
“They can’t open the prison, so we can’t do our time,” he said, picking crumbs from his enormous hipster beard.
“What about the employee entrance?”
“Busted.”
“So how do we clock in?”
“Don’t be in such a hurry,” Matt said, trying to suck a strand of cheese off the mass of hair surrounding his mouth. “There’s nothing waiting inside but retail slavery, endless exploitation, and personal subjugation to the whims of our corporate overlords.”
If Amy squinted, she could dimly see Basil’s tall, gawky silhouette through the front windows, trying to direct the human traffic jam by waving his spaghetti-noodle arms in the air. Getting even this close to him sent a cold bolt of fear through her stomach, but his back was turned. Maybe she had a chance.
“Good thoughts, Matt,” she said.
Seizing her moment, Amy ninjaed her way through the crowd, ducking behind backs, stepping on toes, and slipping into open spaces. She entered the atrium and was immediately enveloped in the soothing embrace of Orsk—where it was always the perfect temperature, where the rooms were always perfectly lit, where the piped-in music was always the perfect volume, where it was always perfectly calm. But this morning the air had an edge to it, the faint scent of something rancid.
“I didn’t think this escalator could run in reverse,” Basil was saying to an operations partner who was pounding on the emergency stop button to no effect. “Is this even mechanically possible?”
Amy didn’t stick around to find out. Her sole objective for the day—and for the next several days—was to avoid Basil at all costs. As long as he didn’t see her, she reasoned, he couldn’t fire her.
Product details
- ASIN : B00JCRXBSU
- Publisher : Quirk Books (September 23, 2014)
- Publication date : September 23, 2014
- Language : English
- File size : 22.8 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 225 pages
- Best Sellers Rank: #1,963 in Kindle Store (See Top 100 in Kindle Store)
- #1 in U.S. Horror Fiction
- #4 in Ghost Suspense
- #13 in Horror Suspense
- Customer Reviews:
About the author

New York Times bestselling author Grady Hendrix makes up lies and sells them to people. His novels include HORRORSTÖR about a haunted IKEA, MY BEST FRIEND'S EXORCISM, which is basically "Beaches" meets "The Exorcist", WE SOLD OUR SOULS, a heavy metal horror epic, THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES, and THE FINAL GIRL SUPPORT GROUP, coming on July 13, 2021. He's also the author of PAPERBACKS FROM HELL, an award-winning history of the horror paperback boom of the Seventies and Eighties. He wrote the screenplay for, MOHAWK, a horror flick about the War of 1812, and SATANIC PANIC about a pizza delivery woman fighting rich Satanists. You can discover more ridiculous facts about him at www.gradyhendrix.com.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book entertaining and well-written, with a fast-paced narrative that draws readers in quickly. The concept receives positive feedback for being clever and innovative, while the design is praised for its catalog-like format and illustrations. Customers appreciate the well-developed characters and find the horror elements surprisingly funny. The execution receives mixed reviews, with some customers saying it was above average while others find it awful.
AI-generated from the text of customer reviews
Customers enjoy the book's scariness level, describing it as a surprisingly funny and disturbing haunted house story with lots of suspense.
"...of total immobility, conducive to self-reflection and free of stressful outside stimuli.”..." Read more
"...Horror writers love this stuff, too — you can find horror wrapped around modern suburban and retail settings in films like “Poltergeist” and “Dawn..." Read more
"...got inside the mind of the “Big Blue Box” employee, perfectly describing the cultist mentality and ‘motivation’ that comes along with working there...." Read more
"Horrorstor is quirky, creepy and humorous at the same time and is a perfect read for Halloween season...." Read more
Customers find the book entertaining and fun to read, appreciating its concept and story. One customer particularly enjoyed the play on IKEA, while another describes it as an immersive reading experience.
"...not only insanely smart but works really well to create an immersive reading experience rather than just be exist as an attractive piece of cover art..." Read more
"...One of the real selling points of this novel is the fantastic graphic design by Andie Reid and illustrations by Michael Rogalski...." Read more
"...It was worth listening to the audiobook for these alone...." Read more
"...It then descends slowly into the realm of true horror with a smattering of humor, as the familiar transforms into the supernatural...." Read more
Customers appreciate the concept of the book, describing it as clever and innovative, with one customer noting that it transforms into something pretty awesome.
"...I enjoyed most about this book was its design - which was not only insanely smart but works really well to create an immersive reading experience..." Read more
"...The narrative was fast-paced and kept you guessing right up until the end...." Read more
"Horrorstor is quirky, creepy and humorous at the same time and is a perfect read for Halloween season...." Read more
"What did I just read? That was crazy. I used to think being in a closed store overnight would be fun...but now, h*ll no. Definitely a good read." Read more
Customers praise the writing quality of the book, describing it as well-crafted and snappy, with sharp prose that keeps readers engaged.
"...Horror writers love this stuff, too — you can find horror wrapped around modern suburban and retail settings in films like “Poltergeist” and “Dawn..." Read more
"...The overall narration is easy to listen to and I don't really have any feelings about it one way or another, but the chapter breaks, where they..." Read more
"...The story was very easy to follow on audio, even with the unconventional format of the book." Read more
"...It's a cute, fun, and delightfully quick read – easily devoured in one sitting...." Read more
Customers enjoy the book's pacing, describing it as a fast-paced read that moves at a lively pace, with some finishing it in just two days.
"...The narrative was fast-paced and kept you guessing right up until the end...." Read more
"...keeping the story moving forward with the right tone and energy to keep the reader engaged...." Read more
"I enjoyed the quickness of the story. Not a huge fan of the resolution but whatever. It was still good." Read more
"...Despite the issues I had with it, it was a fun, fast-paced read..." Read more
Customers find the book relatable, with well-developed characters and a small group that moves the story forward. One customer particularly appreciates Amy as the main character, while another notes the fascinating portrayal of the warden.
"...The characters are relatable, and I definitely felt some of their pain, having worked in retail myself since 2006, which is honestly the number one..." Read more
"...His characters are quirky when we are introduced to them, which provided ample opportunity to venture into the Ha-Ha territory, and while he may..." Read more
"...The characters were pretty bland." Read more
"...The characters are complex enough for the purposes of the story, though not outstanding...." Read more
Customers appreciate the book's design, noting its clever graphic elements and neat appearance that resembles an IKEA magazine.
"...However, what I enjoyed most about this book was its design - which was not only insanely smart but works really well to create an immersive reading..." Read more
"...The book cover looks like one of the big, glossy IKEA design catalogs — with a few subtle and not-so-subtle differences to give some visual cues to..." Read more
"...furniture store employee, I purchased this book for the novelty of its catalog-like design...." Read more
"...It's a cute, fun, and delightfully quick read – easily devoured in one sitting...." Read more
Customers have mixed opinions about the book's execution, with some praising it as above average and the best job from hell ever, while others find it awful and unsatisfying.
"...will say that it starts and ends a lil slow and I found certain aspects unsatisfying. But everything in between was SOO GOOD!..." Read more
"...this book was its design - which was not only insanely smart but works really well to create an immersive reading experience rather than just be..." Read more
"...Because yes it was funny and yes it was disgusting...." Read more
"...good stuff in this review is easy--the scary stuff is very eerie, it's effective, it's Lovecraftian and insane without being too derivative, and the..." Read more
Reviews with images

As imaginative as it is immersive, and as dark as it is funny!
Top reviews from the United States
There was a problem filtering reviews. Please reload the page.
- Reviewed in the United States on November 14, 2020Wow. Just wow.
I feel like I can’t say it enough, but I thoroughly enjoyed Horrorstör and highly recommend it. I think the audiences that would get the most of this book would obviously be fans of horror and darker comedy, but also those who have had to work in the soul-sucking world of mainstream retail.
I still shudder when I think about my experiences working in retail. Ugh.
The world that Hendrix builds in this novel accurately depicts the real-life hell that working in retail usually is. From the absolutely atrocious customers to the sense that loyalty means taking one for the team (only for the good of the company), to the disconnect between corporate ideals and the reality of the sales floor…you’ll have disturbing flashbacks of your worst retail employee experiences. I especially liked how each of the characters felt real and entirely plausible, and could easily compare each one to a past or present coworker of my own.
However, what I enjoyed most about this book was its design - which was not only insanely smart but works really well to create an immersive reading experience rather than just be exist as an attractive piece of cover art. Upon first glance, I mistook this book for an actual furniture catalog! Taking a closer look, I began to notice dark oddities - clawing hands, trapped faces, rats, ominous scratches, etc. The design continues within the cover pages, further resembling a furniture catalog with a detailed store map, index, ads, and even an Orsk order form! You can literally map out the characters’ journeys through the Orsk showroom and the Beehive as you read the story.
My favorite design element can be found at the beginning of every chapter. Each chapter starts with what appears to be your standard furniture ad for a variety of Swedish themed furniture pieces. Upon closer inspection, the captions reveal the darker nature of each featured piece. As the story continues, the ads become increasingly dark as they’re reinvented into torture devices that foreshadow the fates of the characters. See a spoiler-free example below:
“Boasting several advantages over traditional forms of restraint, BODAVEST confines the penitent and opposes the agitated movement of blood toward the brain, forcing the subject into a state of total immobility, conducive to self-reflection and free of stressful outside stimuli.”
Yeah, not quite what you’ll find in your average Ikea catalog.
Even though this was a quick and fun read, it was as creepy as it was entertaining. Not only did the story progress at an appropriate pace, but the building tension and gross imagery had me truly immersed in the Orsk showroom. In fact, this was the first book I’ve ever read that physically disturbed me (refer to the Hügga and Bodavest chapters for some skin-crawling horror scenes). I had to frequently put this book down to take breaks after some of the more gory scenes.
Lesson learned: don’t mix shrink wrap with an office chair…
Overall, I loved this fun horror read because of how imaginative, witty, and captivating it was. Rumor has it, a film adaptation may be in the works!
5.0 out of 5 starsWow. Just wow.As imaginative as it is immersive, and as dark as it is funny!
Reviewed in the United States on November 14, 2020
I feel like I can’t say it enough, but I thoroughly enjoyed Horrorstör and highly recommend it. I think the audiences that would get the most of this book would obviously be fans of horror and darker comedy, but also those who have had to work in the soul-sucking world of mainstream retail.
I still shudder when I think about my experiences working in retail. Ugh.
The world that Hendrix builds in this novel accurately depicts the real-life hell that working in retail usually is. From the absolutely atrocious customers to the sense that loyalty means taking one for the team (only for the good of the company), to the disconnect between corporate ideals and the reality of the sales floor…you’ll have disturbing flashbacks of your worst retail employee experiences. I especially liked how each of the characters felt real and entirely plausible, and could easily compare each one to a past or present coworker of my own.
However, what I enjoyed most about this book was its design - which was not only insanely smart but works really well to create an immersive reading experience rather than just be exist as an attractive piece of cover art. Upon first glance, I mistook this book for an actual furniture catalog! Taking a closer look, I began to notice dark oddities - clawing hands, trapped faces, rats, ominous scratches, etc. The design continues within the cover pages, further resembling a furniture catalog with a detailed store map, index, ads, and even an Orsk order form! You can literally map out the characters’ journeys through the Orsk showroom and the Beehive as you read the story.
My favorite design element can be found at the beginning of every chapter. Each chapter starts with what appears to be your standard furniture ad for a variety of Swedish themed furniture pieces. Upon closer inspection, the captions reveal the darker nature of each featured piece. As the story continues, the ads become increasingly dark as they’re reinvented into torture devices that foreshadow the fates of the characters. See a spoiler-free example below:
“Boasting several advantages over traditional forms of restraint, BODAVEST confines the penitent and opposes the agitated movement of blood toward the brain, forcing the subject into a state of total immobility, conducive to self-reflection and free of stressful outside stimuli.”
Yeah, not quite what you’ll find in your average Ikea catalog.
Even though this was a quick and fun read, it was as creepy as it was entertaining. Not only did the story progress at an appropriate pace, but the building tension and gross imagery had me truly immersed in the Orsk showroom. In fact, this was the first book I’ve ever read that physically disturbed me (refer to the Hügga and Bodavest chapters for some skin-crawling horror scenes). I had to frequently put this book down to take breaks after some of the more gory scenes.
Lesson learned: don’t mix shrink wrap with an office chair…
Overall, I loved this fun horror read because of how imaginative, witty, and captivating it was. Rumor has it, a film adaptation may be in the works!
Images in this review
- Reviewed in the United States on April 25, 2017I love a classic haunted house as much as anyone. There’s something wonderful about an old abandoned house (or mansion or castle or hotel or insane asylum), dilapidated, decaying, overgrown, crumbling, filled with creaking doors, dark shadows, creepy dolls, and something sinister that whispers from the attic.
But there’s also a place in my heart for a modern, clean, brightly-lit building that’s nevertheless crawling with the unquiet spirits of the dead. The suburban home built over an Indian graveyard, the supermarket with bloody handprints appearing mysteriously on the freezer cases, the trendy nightclub plagued by unusual deaths and fashionable vampires. Horror writers love this stuff, too — you can find horror wrapped around modern suburban and retail settings in films like “Poltergeist” and “Dawn of the Dead” (and many other early-outbreak zombie movies) and in books and stories like Stephen King’s “The Mist,” Anne Rivers Siddons’ “The House Next Door,” and Mark Z. Danielewski’s “House of Leaves.”
And there’s also this book, “Horrorstör,” a short horror novel (with strong humor elements) written by Grady Hendrix. Its focus is on a haunting at an IKEA-style big box retail store.
The lead character in the story is Amy, a slacker in a thoroughly dead-end job working retail at ORSK, a furniture and housewares store designed from the ground up to look and feel like an IKEA store. It has the same winding pathway through the store, the same “Magic Tool” required to put every piece of furniture together, the same style of faux-Scandinavian names for all the products. Amy wants to transfer back to the ORSK store she used to work at, mainly because she thinks she’s about to get fired by Basil, an assistant manager and gung-ho ORSK fanboy. But as it turns out, Basil actually wants to ask Amy and another co-worker, Ruth Anne, an older long-term employee who lives for her job, loves stuffed animals, and is adored by everyone on the staff, to take on a special duty — patrolling the store at night.
You see, the store has been suffering unusual vandalism. Some of the glassware has been broken, furniture has been soiled, and there are odd smells in the building. Basil wants Amy and Ruth Anne to join him on a secret late-night patrol, after everyone has gone home, to see if anyone is breaking into the building. They soon find some interesting problems. There are rats in the kitchen showcases, even though there’s no food there and no water hookups. Everyone keeps getting lost, which might make sense if they were just customers and not employees trained to find their way around the store quickly. And the mysterious grafitti messages in the restrooms referring ominously to “the Beehive” are multiplying rapidly.
And they do find some unexpected interlopers. Matt and Trinity are a couple of fellow co-workers at ORSK who have sneaked into the store because they thinks there are ghosts in the building and want to make a reality-TV ghost hunter show. And there’s also a homeless man, Carl, who has been secretly living in the store for a few weeks.
Trinity has an idea. She still thinks there are ghosts in the building, and what’s the best way to contact ghosts? Let’s everyone hold a seance!
And then everything goes straight to hell.
Can Amy and her coworkers survive the night shift at ORSK? Can they escape the store? Or are they doomed to toil forever in the stone walls and iron restraints of the Beehive?
I really enjoyed this book. I burned my way through it as quickly as I could, and a couple nights, where I made the mistake of reading it too close to bedtime, it actually kept me up late. I did think that the very best parts of the novel were fairly early on, when the scares were subtle and more creepy than heart-stopping. The seasoned employees getting lost in their own store? That was weirdly realistic — you could imagine it happening, but you could also see why it would be really unnerving. The odd sounds after the store closes, combined with the sudden unfamiliarity of the environment of the store was also spooky — and definitely familiar for anyone who’s ever had to work late in their office, where darkness and emptiness make the comfortable surroundings feel strange and dangerous.
Even better than that was the graffiti in the restroom. The dozens of scrawled names and scratched-out years, all referencing the mysterious Beehive, feel intensely eerie, a perfect element to place in a modern retail ghost story. There are also some very effective moments when the employees discover that the purely decorative doors in the showcases now open into dank, cavernous hallways leading deep into the earth.
And the seance may have been a monumentally stupid move on the part of the characters, but the way they did it was an original and wonderful thing to have in a horror novel. It’s simultaneously terrifying — because you know what’s going to happen — and hilarious — because you know what’s going to happen.
Once the Big Bad makes his appearance, and especially when he captures Amy for the first time, the story starts moving away from being a ghost story and edging more into torture porn. The story shows some serious cracks in this section, in part because it’s too long — I just don’t enjoy reading multiple pages about someone being strapped into a torture chair that tightens to the point where she loses sensation in her limbs and can barely draw a breath. (This may also indicate that I have never enjoyed torture porn.) But it’s also a bit too short — we’re told that Amy’s mind breaks almost entirely not long after she’s strapped in, to the point where Stockholm Syndrome sets in and she starts worshiping her captor. And then, when she’s released from confinement, it’s not too many more pages before her mind has completely recovered to its previously healthy state — and even improved, as she’s much braver and more resourceful for the rest of the novel.
One of the real selling points of this novel is the fantastic graphic design by Andie Reid and illustrations by Michael Rogalski. The book cover looks like one of the big, glossy IKEA design catalogs — with a few subtle and not-so-subtle differences to give some visual cues to the horrors within — and each chapter opens with a page from the fictional ORSK catalog spotlighting one of their products, complete with IKEA-style art, a faux-Scandinavian name, and upbeat flavor text. But after the supernatural terrors start climbing out of the woodwork after the seance, all the featured furniture gets replaced with medieval torture devices. It makes the story a lot more fun and a lot funnier, while still giving a nice dose of the chills to readers.
Top reviews from other countries
-
Thiago SardenbergReviewed in Brazil on July 12, 2022
5.0 out of 5 stars "Havia uma prisão aqui... e construímos uma nova sobre suas ruínas"
Inicialmente, Horrorstor parece uma mistura da divertida série "Superstore" com uma narrativa sobre lugares mal-assombrados. Não deixa de ser, de certa forma, mas é bem mais que isso; o tom mais leve da narrativa vai progressivamente sendo "contaminado" pela escuridão que habita o lugar e os horrores que descreve - sempre envoltos em trevas - são realmente perturbadores.
Mais além, o romance ganha força ao comparar essa loja - a Orsk, uma espécie de Ikea, ou Etna, Leroy Merlin etc. - à prisão panóptica que havia naquele mesmo lugar, séculos antes: o trabalho repetitivo, sempre sob supervisão, análogo à escravidão, apagando individualidades, sobre diferentes pretextos - no caso da prisão, os "penitentes" precisavam ser curados de seus pecados; no caso da loja, os funcionários se submetiam à máquina capitalista pois precisavam sobreviver. E mal conseguiam, como no caso da protagonista (que curiosamente (?) se chama Amy, mesmo nome da protagonista de Superstore), sempre individada.
Esse foi meu terceiro livro do Hendrix (gostei dos 3) e cada vez mais creio que ele - que por alguma razão ainda não é tão reconhecido (talvez após um de seus romances ser inevitavelmente adaptado, isso mude) - é um dos grandes nomes da literatura de terror contemporânea.
- Alejandro BonillaReviewed in Mexico on September 26, 2016
5.0 out of 5 stars Truly original story - Bautiful book desing - Perfect ending.
This is one of those books you just can't stop reading, so it takes only a couple of hours to do it so, which will leave you waiting for more. Although, the ending is perfect and not dissappointing at all.
The desing of the book is just perfect. From cupons to a map of the fictional store, each page has a stunning look, which makes it even more enjoyable to read.
- NouhaReviewed in France on May 12, 2021
2.0 out of 5 stars Poorly written, very boring characters
After enjoying the southern book club’s guide to slaying vampires, I wanted to try more books of Grady. I was utterly disappointed by this one. Can’t believe it was written by the same author. The story is dragging, predictable, boring. The only positive thing about it is the cover and its design.
- PhilReviewed in the United Kingdom on April 22, 2020
5.0 out of 5 stars Please Make This in to a Film
Not what I expected at all. I downloaded this book to try out the Kindle app on my new Fire tablet. After enjoying 'Welcome to Scarfolk' I assumed this would be a similarly dark and twisted, quick-read throwaway picture book, this time done in the style of a Swedish furniture store catalogue. Being a fan of both silly humour and creative graphic design, I would not have been disappointed by this, but what I got was far better. Although there are a few faux-Ikea style illustrations, this is mostly a proper, well-written horror novel, inspired by many classics such as Dawn of the Dead, Shaun of the Dead, The Shining, The Amityville Horror, House on Haunted Hill etc. etc. Not to say this is simply a parody or cheap copy, it is an original novel inspired by the best. The characters are distinctly different and easy to imagine and remember, whilst remaining believable and not caricatures. The oddness and horror (and some bits are very odd and horrific) creep up slowly on (what starts as) a normal boring workday in a cheap American knock-off Ikea store, leaving me guessing for almost half the book what sort of a story this was. I kept changing my mind whether there would be ghosts, zombies, just a mad serial killer or something else entirely. If I wanted to criticise, I could say the story is quite short and simple, with a lot of questions left unanswered or unsatisfyingly resolved, but I think all of these are actually strengths which make the story more believable, whilst also making it very easy to imagine as a mid-budget horror movie, containing not too many characters and just one big location. I hope this happens, maybe the writer does too? As this novel almost reads like a polished film treatment, which would require very little adjustment to make a movie I would love to see.
- LullzReviewed in the Netherlands on September 28, 2024
5.0 out of 5 stars Creatively amazing
Who knew IKEA could be terrifying? Horrorstör is a hilariously creepy ride through a haunted furniture store that had me laughing and shivering at the same time. The blend of horror and humor is spot on, with clever details like the catalog-style chapter headings adding to the eerie atmosphere. The characters are relatable, the scares are real, and the whole concept is refreshingly unique. If you've ever felt a little too lost in a big-box store, this book will have you thinking twice before your next shopping trip. An absolute must-read for horror fans!