In the nineteenth century, men didn't typically adopt children by themselves. Even today, it's a relative rarity -- when a single person adopts a baby, it's usually a woman.
But the exception proves the rule in "Silas Marner," George Eliot's novel about a hermit-like weaver whose life is changed forever when a child wanders into his house. While Eliot explores the pliancy of gender roles and qualities, at heart this is just a heartwarming story about love and family. The ending is rather predictable and a little sappy, but it's a pleasant glimpse of English village life in the 1800s.
Weaver Silas Marner moves to the town of Raveloe, and takes up residence far from other people. Nobody knows why, except for the readers -- he was betrayed by his best friend, dumped by his girlfriend, framed for a robbery and expelled from his church. He also suffers from cataleptic seizures, as if life for him didn't suck enough. Now he wants just to be alone in his remote house, and hoard the gold that he earns over fifteen years of weaving cloth.
Then one night, the squire's dissolute younger son Dunsey Cass steals his gold and vanishes from the town, leaving Silas without the one thing he has come to love. Meanwhile, Dinsey's older brother Godfrey is freaking out because of an ill-advised marriage to a poor drug addict, which would probably get him disinherited if his strict father knew.
But then the wife is found frozen to death in a blizzard, and her toddler child -- Godfrey's daughter -- wanders into Silas' house. And to the surprise of all Raveloe, Silas declares that since "it's a lone thing—and I'm a lone thing," and that he's going to care for the child from now on. This adoption will not only change Silas' life, but Godfrey's as well -- and as the child Eppie grows to adulthood, will finally bring about the admission of long-hidden secrets.
As a woman who wrote serious literature in a time when women's literary skills were scoffed at, George Eliot knew something about the bendability of gender roles. Even though the main character is a heterosexual male, she subtly positions him as having a strong feminine side -- he has a job associated with femininity ("you're partly as handy as a woman, for weaving comes next to spinning"), he's the perceived successor of the local hedgewitch, and he has nothing to do with the "manly man" pursuits of boozing it up in the local pub every night, as literally all the local men do.
And, of course, he cares for a young child with the tenderness and soft-heartedness that was usually attributed to women, not men. And yet, Eliot never treats this character with anything but respect -- he is not seen as less than other men because he has traditionally feminine traits, but as MORE. And these traits are ultimately what brings him happiness, love and friendship from everyone in the community.
But while Silas is the center of the story, Eliot fleshes out the village of Raveloe with deft strokes, from the wealthy (Godfrey and his insufferable girlfriend/wife Nancy) to the ordinary working-class folks whose lives intersect with Silas'. And she knows both the good and bad of these communities -- they have good hearts and kindness, but they also tend to be kind of judgmental and ignorant of people different from themselves. The best example of this is Dolly, a smart, take-charge woman who becomes Silas' best friend and advisor.
And twined together with Silas's story is the story of Godfrey, whose life withers as Silas' blooms. He's essentially a very weak man who shies away from telling the unpleasant truth to anyone, and misses out on fatherhood because of it. It's hard to see why he is so enamored of Nancy, though -- she's a rigid, moralistic priss who holds everyone to her impossibly high standards (for instance, she's opposed to adoption because she's decided, based on nothing at all, that it's against God's will).
The story's biggest problem? Well, in some regards the story is rather predictable, with a heartwarming ending that borders on sappy. More subtle handling is given to Silas revisiting his old home, and discovering what has come of the betrayals he's suffered.
"Silas Marner" is a fascinating little novella, twining together a story about love and family with a subtle message on gender roles. Not bad for such a simple little story.
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Love is the ultimate reward
This edition of Silas Marner by George Eliot was published in 1951by Scott,Foresman,and Company and is an ADAPTEDversion (adapted by Lou Bunce). "Adapted" means that the originalstory has been changed by making the sentences simple and removingmaterial that is not needed. this particular book contains some nicely doneillustrations by Seymour Fleishman. This is the book I read and I am reviewing.I very much enjoyed this story,not having read it before-only heard about itover the years...living in the early 19th century, Silas Marner is a classiccharacter who is drenched in loneliness(somewhat of his own making). Silas ,aweaver by trade,is accused and found guilty of a theft(he was innocent). Silasleft the place of his birth to move to the village of Raveloe. Once there he mademoney weaving but,turned his back on friendship,love and God. His life is incrediblylonely but, he has an obsession with money-gold coins-later on the gold is stolen.Silas is almost destroyed by this loss but,thereafter,a two year old orphan child wandersinto his cottage and his life. The child-whom Silas names"Eppie"- brings him back to lifeagain and the villagers gain new respect for Silas.It is fascinating to read the villagers reactions to Silas and even his own reactions tothe people and happenings around him. this is one of the finer parts of the story-the outcast,the loner-making do but,barely hanging on to life. I do not want to spoil the whole story byrevealing the end but,suffice to say,it does have a happy ending.If readers are looking for a simple version of Silas Marner,this is it.I cannot say what the original is like but,i think it is very slow,lengthy,and heavyfor us modern readers. I like my short version which,is to the point.
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Touching and redemptive
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