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The Western Wind: A Novel Kindle Edition

3.7 3.7 out of 5 stars 869 ratings

Winner of the Staunch Book Prize. “A beautifully written and expertly structured medieval mystery packed with intrigue, drama and shock revelations.” —Minneapolis Star-Tribune

An extraordinary new novel by Samantha Harvey—whose books have been nominated for the Man Booker Prize, the Women’s Prize for Fiction (formerly the Orange Prize), and the
Guardian First Book Award—The Western Wind is a riveting story of faith, guilt, and the freedom of confession.

It’s 1491. In the small village of Oakham, its wealthiest and most industrious resident, Tom Newman, is swept away by the river during the early hours of Shrove Saturday. Was it murder, suicide, or an accident? Narrated from the perspective of local priest John Reve—patient shepherd to his wayward flock—a shadowy portrait of the community comes to light through its residents’ tortured revelations. As some of their darkest secrets are revealed, the intrigue of the unexplained death ripples through the congregation. But will Reve, a man with secrets of his own, discover what happened to Newman? And what will happen if he can’t?

Written with timeless eloquence, steeped in the spiritual traditions of the Middle Ages, and brimming with propulsive suspense,
The Western Wind finds Samantha Harvey at the pinnacle of her outstanding novelistic power.

“Beautifully rendered, deeply affecting, thoroughly thoughtful and surprisingly prescient . . . a story of a community crowded with shadows and secrets.” —The New York Times Book Review

“Ms. Harvey has summoned this remote world with writing of the highest quality, conjuring its pungencies and peculiarities.” —The Wall Street Journal

“Brings medieval England back to life.” —The Washington Post
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Editorial Reviews

Review

Praise for THE WESTERN WIND
Winner of the Staunch Book Prize
Longlisted for the Walter Scott Prize for Historical Fiction

Named One of Waterstones Paperbacks of the Year 2019

“Beautifully rendered, deeply affecting, thoroughly thoughtful and surprisingly prescient . . . Harvey’s is a story of suspense, yes. It is a story of a community crowded with shadows and secrets. But to read this novel is to experience a kind of catharsis. In John Reve, a 15th-century priest at war with his instincts and inclinations and at times even with his own flock, we find a kind of Everyman, and Harvey delivers a singular character at once completely unfamiliar and wholly universal.”
New York Times Book Review

“Harvey is an intelligent and audacious writer, able and willing to take creative risks and perform stylistic feats. . . . This is a beautifully written and expertly structured medieval mystery packed with intrigue, drama and shock revelations. "The Western Wind" is no humdrum whodunit.. . . . Harvey plays with unreliable narration, probes memory and airs elusive or inconvenient truths. . . . We navigate the corners of Harvey's characters, all the while marveling at the intricacy of her puzzle and the seductiveness of her prose.”
Minneapolis Star-Tribune

"Ms. Harvey has summoned this remote world with writing of the highest quality, conjuring its pungencies and peculiarities… In this superb novel, time, like guilt, is a murky medium, at once advancing and circling back, and pulling humankind helplessly between its battling currents.”
Wall Street Journal

The Western Wind brings medieval England back to life… By the time we find out how Tom Newman died, we’re less interested in a mystery solved and more intrigued by the fate of a long-gone place, a place that Harvey brings to life from its historical tomb.”Washington Post

The Western Wind is filled with the rich details of rural medieval life, but the unique structure of the story gives the novel a fresh and modern sensibility. In addition, Oakham’s remoteness and parochial village church is contrasted with the spiritual changes coming to both England and the rest of Europe, bringing to mind contemporary issues such as Brexit and the refugee crisis. Harvey…has written a densely packed historical novel that never seems dusty or precious, relishing in the psychological intricacies of power and faith but still crackling with suspense and intrigue.”Bookpage

“A poignant tale of superstition and guilt… a sublime and heartrending story, perfect for readers who enjoy impeccably chosen language and a penetrating look at the human condition.”
Shelf Awareness

“Hardly a page goes by without a wondrous observation… Harvey regularly reminds me of Marilynne Robinson―the highest compliment I can pay any novelist.”
Commonweal Magazine

“Harvey weaves a dazzling tapestry around loss and confession in late-15th-century England in this breathtaking novel…The lush period details and acute psychological insight will thrill fans of literary mysteries and historical fiction. Utterly engrossing.”
Publisher’s Weekly (starred review)

“Harvey evokes the darkness of both winter and spirit with stark yet lovely imagery… This compulsively readable portrait of doubt and faith reveals, in small lives, humanity’s biggest questions.”
Booklist (starred review)

“A medieval whodunnit…the experience [Harvey’s] book engenders is less like reading a novel and more akin to time travel – something I’ve only previously encountered in the work of Hilary Mantel.”
Financial Times

“Startling and energizing…
The Western Wind must be in the running for one of the year's best novels.”The Spectator

“It is at once a literary detective story, an awkward confession, a study of a crisis in authority and faith, and a moving portrait of a tight-knit community’s dim awareness of encroaching threat.”
Sunday Times

“A rich and sumptuous delight . . . the language manages to be both luminously lyrical and endlessly sharp.”
Telegraph

“A medieval mystery from one of the UK’s most exquisite stylists.”―
Guardian

“My book of the year . . . It is quite unlike anything else I have read . . . Samantha Harvey is not half as well-known as she should be . . . This, her fourth novel, deserves to break her through to a wider audience . . . The truly extraordinary thing about this novel is the way Harvey re-creates the mindset and beliefs of the medieval world, and makes the concerns of 500 years ago vivid and immediate.”―
Alice O’Keeffe, The Bookseller

“Samantha Harvey’s prose is luminous, a wonderfully lyrical look at the way religious belief and pragmatism battle it out in the heart of a good man.”
Daily Express

“Set in the 1400s but never feeling dusty or distant, this astonishing book is at once a rollicking mystery and profound meditation on faith and existence.”―
Alex Preston, Guardian (Best Fiction for 2018)

“Trumping all the above might be Samantha Harvey, whose relative anonymity should end if her next novel,
The Western Wind, does as well as it deserves . . . A murder mystery, an acute dissection of class and money, and fabulously written.”―James Kidd, Post Magazine, South China Morning Post (Must-Read Books in 2018)

The Western Wind is an extraordinary, wise, wild and beautiful book―a thrilling mystery story and a lyrical enquiry into ideas of certainty and belief. Surprising, richly imagined, gloriously strange―the best kind of fiction.”―Joanna Kavenna, author of A Field Guide to Reality

“Harvey is up there with the best writers working today. Here she makes the medieval world feel as relevant and pressing as tomorrow morning because―as always―she captures the immutable stuff of the human condition.”―
Nathan Filer, author of The Shock of the Fall

About the Author

SAMANTHA HARVEY is the author of three novels, Dear Thief, All Is Song, and The Wilderness, which won the Betty Trask Prize. Her books have been shortlisted for the Orange Prize for Fiction, the Guardian First Book Award, and the James Tait Black Prize, as well as longlisted for the Man Booker Prize and the Baileys Women's Prize. She lives in Bath, UK, and teaches creative writing at Bath Spa University.

Product details

  • ASIN ‏ : ‎ B07KGMK3WZ
  • Publisher ‏ : ‎ Grove Press (November 13, 2018)
  • Publication date ‏ : ‎ November 13, 2018
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 5307 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 306 pages
  • Customer Reviews:
    3.7 3.7 out of 5 stars 869 ratings

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Customer reviews

3.7 out of 5 stars
3.7 out of 5
869 global ratings

Top reviews from the United States

Reviewed in the United States on September 21, 2018
There’s a tiny, isolated village in Somerset, England, separated from outsiders by a twisty river and no bridge. On Shrove Tuesday, 1491, the novel’s narrator and parish priest of Oakham, John Reve, is awakened by news that the body of the wealthiest villager, Thomas Newman, was sighted in the river’s fast moving current, before being swept away again. The only evidence of Newman is a green scrap of his clothing found in the bulrushes. Was this an accident, a murder, or a suicide?

Samantha Harvey wouldn’t simply write a straightforward historical novel or mystery. She’s an unconventional (but accessible in her narrative immediacy) writer who reveals many layers of character while advancing her plot, as I learned in DEAR THIEF, a novel that centers on a woman writing to a childhood friend who stole her husband. Furthermore, THE WESTERN WIND is told backwards in time, from Shrove day 4 to Saturday, February 14th, day 1. This, to me, seals the contract of reader and writer, because the reader must actively attune and allow for the challenges that come with reverse telling. Like Reve, we want to know what happened. I experienced more than a few double takes. In the end, you will be mightily rewarded!

In 1491, the Renaissance has not reached everywhere; this is the late Middle Ages in Oakham, replete with religion and superstition embracing a monumental part of everyone’s lives. Minor transgressions are confessed to John Reve, and he informs us that he has the only confession box in England, placed there to allow people slightly more privacy, but crudely built and offers minimal concealment.

The priest is concerned about losing his flock, as many have been confessing privately to traveling friars. John is a complicated man, a priest with his own self-doubts and periodic crises of faith. To make matters worse, his superior, the unnamed dean, with “a nose for the nasty,” has traveled to the village to demand that the answer to Newman’s fate be concluded swiftly, offering to let whoever confesses to Reve (the dean thinks Newman was murdered) will be pardoned. The confessions that unfold are a large part of the novel.

John thoughtfully examines the tragedy of Newman, who had new ideas and a plan to build a bridge that would liberate the villagers from confinement and poverty. Some other residents were indebted to Newman, or had indeterminate ties to him. Additionally, Reve is praying for a western wind to blow away the evil spirits. He worries that the prevailing eastern winds would give Oakham more to tremble about and suffer.

Although told in first person, Reve is privy to most secrets, providing us with a window into everyone’s lives, an omniscience of sorts. However, there’s nobody but John to tell us about John.

As character development goes, John Reve is the most rich and compelling. Although he is the most known to us, he is paradoxically the most ambiguous. Contemplative, witty, flawed, and compassionate, he knows all the secrets and how best to help others. But whom can he confess to? Is he a reliable narrator? Time reversed will reveal the facts and the author’s brilliance of swiveling time to get to the truth.

And don’t worry that the prose will be medieval and stilted. Harvey evokes time and place in more atmospheric and indelible, visual ways, such as sights, smells, and sounds. Ball is played with a pig’s bladder and a drum out of goat hide. While the language is easily accessible, there is no question that you are in ancient times, with its textured period detail.

“My heart beat, and beat again, and I thought: one day it will beat and not beat again. Then what’s in store for me? And the light undid itself, separating out the grain of the stone into a dull, disparate yellowish-grey, the texture of cloth before fulling. I’d forgotten to eat and was hungry.”
40 people found this helpful
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Reviewed in the United States on June 14, 2018
This novel gets better after the first one hundred pages. It is slow and not very exciting.
I have not finished reading it yet.There are some beautiful descriptions of rural life. I am
still reading it and will finish it because it is that interesting.
8 people found this helpful
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Reviewed in the United States on January 5, 2019
I appreciated the window this novel provides into the time and place, which has in it the ring of truth.
2 people found this helpful
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Reviewed in the United States on April 3, 2020
This novel was a captivating surprise. It has been a long time since I read such a literate period mystery .
One person found this helpful
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Reviewed in the United States on October 13, 2021
After reading all the rave reviews, I ordered the book. Yes, the writing is lyrical at times….I’d find my self rereading passages just for pleasure. My problem was the dull, monotonous plot or lack there of. A lot of redundancy to the point I’d start skimming just to get to something interestingly new. I had to make myself finish this book.
3 people found this helpful
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Reviewed in the United States on December 28, 2018
This mystery novel moves at a slow pace, like life in 1491. Four days are covered in reverse, during which the reader eavesdrops on the confessions of an entire village, made in return for a plenary pardon for their sins.

There are many villagers names to remember. (Well-crafted characters.) Several of them confess to murdering Newman. a newcomer to the village considered a genius by some for his wealth, ( he ended up with a great deal of land,) admired by others because he'd traveled to Italy and played the lute, which he believed connected him to the voice of God. The narrator, the village priest, both admired and disliked Newton. Newton was irritating. If the villagers believed Newton,they wouldn't need the priest, they could hear the voice of God directly through music. He didn't care for Newton's "foreign ideas, " yet the man was his only real friend.

Newton had invested in building a bridge, but failed. He was the villagers'only hope for prosperity, for bringing in traders from across the river. .

Nobody has a motive for murdering Newton. A "rural dean"(formerly a parish priest) comes to investigate the death for the archdeacon..

Suicide? Accidental drowning? Murder?

Villagers resent the investigator, who moves into Newton's comfortable house during his stay and searches everyone's things, He seems to be trying to pin a murder on one of them, driven to solve the case for the archdeacon. He hopes the villagers confessions will reveal the murderer.

He tells the priest at the end of the 3-days of confessions, it's time to tell the dean who it is, which of the two villagers who've confessed to it. ( It's neither one, as the priest knows, He knows what really happened to Newton. But he also feels guilty about his own behavior the night Newton died.)

Some of the villagers are paranoid at the end of the 3 days, fearing the dean will execute one of them for murder, burning him on a pyre on Ash Wednesday.

Who should the priest betray? How can he protect both suspects who confessed? And what will happen to the village without Newton, the man who gave them hope--the hope the bridge represented.

A nearby monastery, according to the investigator, has it's eye on the village, and plans to take over the land and add the grange to its holdings. The priest would no longer be needed; the monks would replace him.

I'm giving this 3 stars because the ending wasn't satisfying for me, even after re-reading the first chapter,, "Day 4," where the story begins.. (After Day 4, the dean will supposedly leave the village to report to the archdeacon. )

That night, (Day 4) the priest hears his name chanted outside. He leaves the church, is grabbed by some of the villagers wearing masks, and has a huge pigs's head pulled over his own. They twirl him around in circles. He can hear them laughing, and through the eye slits he sees the investigator watching with the others. He wonders what sort creature he's becoming inside the mask., and how to behave.

This wasn't satisfying. After spending 4 days in a squalid village where everyone is always cold and wet and everything is moldy, after learning the villagers' secrets in the confessional, I'd have liked more resolution. What happened to them without Newman? Did the monastery annex the land for a grange? Did someone come who actually knew how to build a bridge to connect them to the outside world? When the priest pulled out the box of deeds Newton had buried under his house, was it enough to pacify them? Did having the deeds stop the conflicts building over Newton's land? Was the archdeacon happy with the investigator's report? And what did he finally conclude about Newton's death? The reader knew, because the priest-narrator describes it, but the investigator doesn't.
4 people found this helpful
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Top reviews from other countries

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thewomanintheattic
5.0 out of 5 stars A strange, magnificent book
Reviewed in Germany on August 15, 2021
What a strange, magnificent book! A priest in an almost forgotten parish in Somerset, a dead, rich man, and a village full of sorry creatures on the eve of lent. It took me some time and work, but I fell in love with Samantha Harvey’s wonderful, challenging language, which makes the world of 1491 seem just as modern as ours.
SKC
3.0 out of 5 stars So much to like, but...
Reviewed in the United Kingdom on May 15, 2020
I came across mention of this book in an article suggesting books which would be perfect to read with more time on one's hands during lockdown. So I downloaded it to my Kindle.
And in some ways it lives up to that recommendation. I found the writing beautiful, moving at times and it had a pace and rhythm which seemed perfectly suited to the world around us at the moment.
I liked the main character and found the themes explored in the story very real and interesting too, so that's all to the good.
But. I do have to say that I agree with what others have said. The device of telling the story backwards, in such a linear way was very confusing. It did make me think, which is good again, and I thought quite a bit about whether I was missing out on something by thinking in a way that was too traditional about the way a story should be told.
Ultimately though, I concluded that I wasn't. The device detracted from the flow of the story, made it difficult to follow the themes, plot and characters and made the ending even more unsatisfactory for me.
It's a great shame that, because I honestly think there is a lot of great writing in this book but the key process of telling the story was sold short.
3 people found this helpful
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anonyme
5.0 out of 5 stars meilleur livre que j'ai lu récemment
Reviewed in France on December 30, 2019
très bon intrigue, plein humour, et bien écrit
Paul Hoffman
5.0 out of 5 stars Medieval period captured in words
Reviewed in the United Kingdom on February 25, 2024
This book evokes the medieval period extremely well. The village life and how it must have been, the religious duties and how they affected the village personalities in their own particular way, the slow pace of life which seems to stretch out to infinity providing the background to the story are all nicely captured in this novel of a priest and his relationships to the life and the inhabitants of the village
M Clark
3.0 out of 5 stars Too many dangling threads
Reviewed in Germany on May 12, 2024
John Reve is the priest in a small, dismal English town during the Middle Ages. When, on the day before Lent, the town's most prosperous and worldly resident is drowned without having confessed his sins, Reve invites his dean to investigate the death. The book provides an engaging portrait of rural life in the Middle Ages.

The author utilized some unusual techniques in this book. First, we learn about the town and it's people from their confessions to Reve in the confessional. Second, the author starts the book four days after the drowning occurred and then moves backward in time to the day the drowning occurred. The problem with this approach is that once events are revealed at the end of the book, numerous threads are left dangling that would normally be addressed after the time point that the book begins. As a result of these dangling threads, I found the book to be disappointing. An epilogue set one year later would have addressed this problem.

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