Prince Manfred was the lord of the Castle of Otranto. His wife was Hippolita, his son was Conrad, and his daughter was Matilda. In order to achieve a political alliance, Conrad was to marry Princess Isabella, the daughter of the marquis of Vicenza. Unfortunately, an extraordinarily large helmet fell upon Conrad, killing him. This object was an extreme enlargement of the helmet on a statue of Prince Alfonso the Good, an earlier ruler of Otranto, that was in the church of St. Nicholas, adjacent to the castle. Coincidentally, the actual helmet from the statue was discovered to be missing. After briefly grieving the loss of his son, Manfred decided that Conrad was a sickly, puny child and unworthy of the beauty of Isabella. Hippolita had given Manfred only the one son. So, Manfred decided that he would marry Isabella and that she would give him many sons. This was unacceptable to Isabella. She attempted to escape from the castle to take refuge in the adjacent church. Manfred chased her. Thus begins the novel The Castle of Otranto by Horace Walpole. As the story progresses, more characters are introduced, and, as they say, the plot thickens.
In some places, The Castle of Otranto is described as “the earliest and the most influential of the Gothic novels.” It has “a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests.” There are coincidences, misunderstandings, mistaken identities, and plot twists in the story. In a way, this book made me think of a Charles Dickens novel, Great Expectations, one of my favorite books of all time. Of course, the two books were written in different centuries, have different settings, and are written in different styles. However, the aforementioned revelations of identity, coincidences, and other features are in both books.
Reading The Castle of Otranto has its challenges. The style of writing is different from the style of writing in modern novels. Also, the dialog is not placed in quotations marks and placed on separate lines. Still, the book indicates who is saying what, with a few moments of confusion if you try to read too fast. If you read deliberately, if not slowly, you can follow the story clearly. After awhile, you don’t notice the unusual sentences. You hear everything in your head, as it is stated by the characters or the narrator, with complete understanding. I had to look up some words like orison and casque, but that didn’t happen often.
In chapter 1, Manfred insults people with the word “blockhead.” This is how Lucy insults Charlie Brown in the Peanuts comic strip. In the Oxford University Press World’s Classics edition, it says that it is from the text of 1798, the last that Walpole himself prepared for publication. It also states that this edition has been edited. However, I doubt that blockhead was inserted in place of some other word by the editor. Apparently, the word “blockhead” has a long history.
I didn’t read the Introduction before reading the novel. I was concerned that it would contain “spoilers.” And, with all the twists and turns of the story, you won’t enjoy reading it as much if you were told about them in advance. I will read the Introduction next. I did read the preface to the first edition and the preface to the second edition before reading the novel itself. I found it interesting that the first preface presents the book as a translation of an Italian book, and that the second preface notes that the claim of the book being a translation is false and apologizes for the deception. Although, I did find it relatively easy to read the novel’s style of writing, I did find it more difficult to read the prefaces. I will reread them now.
The Castle of Otranto is an important book in literature and an enjoyable book to read. I recommend it.
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The Castle of Otranto (Unabridged) Kindle Edition
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. The Castle of Otranto is generally regarded as the first gothic novel. It tells the story of Manfred, lord of the castle, and his family. On the wedding-day of his sickly son Conrad and princess Isabella, Conrad is crushed to death by a gigantic helmet that falls on him from above. This inexplicable event is particularly ominous in light of an ancient prophecy. Manfred, terrified that Conrad's death signals the beginning of the end for his line, resolves to avert destruction by marrying Isabella himself while divorcing his current wife Hippolita, whom he feels has failed to bear him a proper heir. The novel merged medievalism and terror in a style that has endured ever since. The aesthetics of the book shaped modern-day gothic books, films, art, music and the Goth subculture.
- LanguageEnglish
- PublisherMusaicum Books
- Publication dateDecember 21, 2018
- File size987 KB
Product details
- ASIN : B07MK5D6SJ
- Publisher : Musaicum Books (December 21, 2018)
- Publication date : December 21, 2018
- Language : English
- File size : 987 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 72 pages
- Best Sellers Rank: #3,200,815 in Kindle Store (See Top 100 in Kindle Store)
- #1,841 in Medieval Historical Fiction (Kindle Store)
- #3,240 in Gothic Romance
- #3,503 in Classic Romance Fiction
- Customer Reviews:
Customer reviews
3.8 out of 5 stars
3.8 out of 5
1,946 global ratings
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5 Stars
Lovely Edition
I ordered this 1975 edition from wonderland-books and it was very carefully wrapped for safe shipping. Book is in very good condition.
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Reviewed in the United States on January 16, 2022
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Reviewed in the United States on October 26, 2020
This was a fun read once I grew accustomed to the writing style. Being published in 1764 the language, pacing, and structure of the story is going to bore many modern readers. It has lulls, but also has moments that feel like they are straight out of the old soap opera Dark Shadows. The plot, such as it is, is very contrived and should be read with a degree of humour. I probably frightened readers back in the day but the characters oftentimes come across as being very overblown. But therein lies the charm and as I read on I envisioned a film filled with lavish costumes, characters speaking in olde English, long dark corridors, and mist shrouded courtyards. It has all the tropes of a gothic story long before they became cliche. But it is by no means scary. If you are interested in the history of the gothic style then this is required reading. At 70 pages (depending upon the copy one owns) it is a reasonably quick read. Those more familiar with this style of writing might find it an easier read than newcomers (like himself), but don't abandon it too quickly.
Reviewed in the United States on May 10, 2012
In reading this book, I think one has to keep it within context. It is the first in the genre and, therefore, lacks some of the elements developed and perfected by later writers in the genre. It does not have the undertones of sexual repression of "Dracula" or the sense of foreboding and moral message of "Frankenstein." It lacks the dark, shadowy rooms of the disturbed and tormented mind that Poe gives us.
Comparing this work to any of those later works is like comparing the early IBM computer (the ones that took up an entire room) to our current Ipad. This book should be viewed as the first step in the progression of a genre.
There is nothing menacing or ominous in this story of visions of giant knights, moving portraits or ghostly whispers and moans in dark castle corridors. In fact, the story often seems comedic and a parody of gothic horror. When reading the descriptions of the dark castle, stormy nights and supernatural occurrences, it is easy to think that these are trite, old clichés. However, you need to keep in mind that these were the first uses of these now tired, over used story elements. At the time, they were new and innovative mood setters.
If you read this expecting a spooky story, you may very well be disappointed. If you read it for the sake of familiarizing yourself with the history of this genre and accept the story for the time in which it was written (a time when such things as moving portraits and cold dark corridors with moaning spirits may have seemed very frightening to a reader), then you can enjoy and appreciate this book for what it is and find it an interesting read.
Comparing this work to any of those later works is like comparing the early IBM computer (the ones that took up an entire room) to our current Ipad. This book should be viewed as the first step in the progression of a genre.
There is nothing menacing or ominous in this story of visions of giant knights, moving portraits or ghostly whispers and moans in dark castle corridors. In fact, the story often seems comedic and a parody of gothic horror. When reading the descriptions of the dark castle, stormy nights and supernatural occurrences, it is easy to think that these are trite, old clichés. However, you need to keep in mind that these were the first uses of these now tired, over used story elements. At the time, they were new and innovative mood setters.
If you read this expecting a spooky story, you may very well be disappointed. If you read it for the sake of familiarizing yourself with the history of this genre and accept the story for the time in which it was written (a time when such things as moving portraits and cold dark corridors with moaning spirits may have seemed very frightening to a reader), then you can enjoy and appreciate this book for what it is and find it an interesting read.
Reviewed in the United States on March 17, 2024
On my way to Italy, to the town of Otranto, I learned of this slight volume and determined to read it. It turned out to be an enjoyable read. I give it 5 stars for its ability to keep me intrigued throughout, and for the wonderful old-style, poetic language of which it was written, and lastly, to give honor to an author who did very little to recommend him in this life except for this interesting little gothic.
Reviewed in the United States on May 25, 2014
The best that can be said about this book is that I learned some new vocabulary. Other than that, I'd have to say it read like a badly staged play. I gave it two stars, maybe two-and-a-half, for allowing some insight into the pulp fiction of its day.
Top reviews from other countries

CainGatsby
5.0 out of 5 stars
Buena compra
Reviewed in Mexico on July 21, 2023
Muy buen tamaño de letras y edición.

Areku Andersson
5.0 out of 5 stars
Gothic per Eccellenza
Reviewed in Italy on December 15, 2023
Fantastica edizione della Penguin Classics.
Arrivato per tempo, il libro è piccolo ma con molte note interessanti.
Testo in Inglese molto scorrevole e stimolante.
Arrivato per tempo, il libro è piccolo ma con molte note interessanti.
Testo in Inglese molto scorrevole e stimolante.


Areku Andersson
Reviewed in Italy on December 15, 2023
Arrivato per tempo, il libro è piccolo ma con molte note interessanti.
Testo in Inglese molto scorrevole e stimolante.
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Kindle Customer
5.0 out of 5 stars
A good read!
Reviewed in Canada on January 16, 2020
I really like this book. I've read the hardcover and this is the first time reading it in Kindle. This format is easy to navigate which makes the book enjoyable.

Amazon Kunde
5.0 out of 5 stars
The Castle of Otranto
Reviewed in Germany on April 3, 2020
sehr gut

Ghosal House
5.0 out of 5 stars
Useful for reading & underlining
Reviewed in India on September 15, 2018
I very much like and love such topic