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The 1619 Project: A New Origin Story Kindle Edition
“[A] groundbreaking compendium . . . bracing and urgent . . . This collection is an extraordinary update to an ongoing project of vital truth-telling.”—Esquire
NOW AN EMMY-WINNING HULU ORIGINAL DOCUSERIES • FINALIST FOR THE KIRKUS PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, Booklist
In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty people stolen from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States.
The New York Times Magazine’s award-winning 1619 Project issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself.
This book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation’s founding and construction—and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life.
Featuring contributions from: Leslie Alexander • Michelle Alexander • Carol Anderson • Joshua Bennett • Reginald Dwayne Betts • Jamelle Bouie • Anthea Butler • Matthew Desmond • Rita Dove • Camille T. Dungy • Cornelius Eady • Eve L. Ewing • Nikky Finney • Vievee Francis • Yaa Gyasi • Forrest Hamer • Terrance Hayes • Kimberly Annece Henderson • Jeneen Interlandi • Honorée Fanonne Jeffers • Barry Jenkins • Tyehimba Jess • Martha S. Jones • Robert Jones, Jr. • A. Van Jordan • Ibram X. Kendi • Eddie Kendricks • Yusef Komunyakaa • Kevin M. Kruse • Kiese Laymon • Trymaine Lee • Jasmine Mans • Terry McMillan • Tiya Miles • Wesley Morris • Khalil Gibran Muhammad • Lynn Nottage • ZZ Packer • Gregory Pardlo • Darryl Pinckney • Claudia Rankine • Jason Reynolds • Dorothy Roberts • Sonia Sanchez • Tim Seibles • Evie Shockley • Clint Smith • Danez Smith • Patricia Smith • Tracy K. Smith • Bryan Stevenson • Nafissa Thompson-Spires • Natasha Trethewey • Linda Villarosa • Jesmyn Ward
- LanguageEnglish
- PublisherOne World
- Publication dateNovember 16, 2021
- File size26.0 MB

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From the Publisher

Books from The 1619 Project
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The 1619 Project: A New Origin Story
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The 1619 Project: Born on the Water
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Customer Reviews |
4.8 out of 5 stars 15,800
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4.9 out of 5 stars 3,552
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Price | $20.46$20.46 | $13.49$13.49 |
A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present. | The 1619 Project’s picture book in verse chronicles the consequences of slavery and the history of Black resistance in the U.S., by Pulitzer Prize-winner Nikole Hannah-Jones, Newbery honor-winner Renée Watson, and illustrations by Nikkolas Smith |
Editorial Reviews
Review
“Hannah-Jones and colleagues consider a nation still wrestling with the outcomes of slavery, an incomplete Reconstruction, and a subsequent history of Jim Crow laws and current legal efforts to disenfranchise Black voters . . . Those readers open to fresh and startling interpretations of history will find this book a comprehensive education. A much-needed book that stakes a solid place in a battlefield of ideas over America’s past and present.”—Kirkus Reviews (starred review)
“Powerful . . . Based on the landmark 1619 Project, this collection . . . expands on the groundbreaking work with added nuance and new contributions by poets like Tracy K. Smith, writers including Kiese Laymon, and historians such as Anthea Butler. . . . This work asks readers to deeply consider who is allowed to shape the collective memory. Like the magazine version of the 1619 Project, this invaluable book sets itself apart by reframing readers’ understanding of U.S. history, past and present.”—Library Journal (starred review)
“Pulitzer winner Hannah-Jones . . . and an impressive cast of historians, journalists, poets, novelists, and cultural critics deliver a sweeping study of the ‘unparalleled impact’ of African slavery on American society. . . . Stories and poems by Claudia Rankine, Terry McMillan, Darryl Pinckney, and others bring to vivid life historical moments. . . . The result is a bracing and vital reconsideration of American history.”—Publishers Weekly (starred review)
“Readers will discover something new and redefining on every page as long-concealed incidents and individuals, causes and effects are brought to light by Hannah-Jones and seventeen other vital thinkers and clarion writers . . . each of whom sharpens our understanding of the dire influence of anti-Black racism on everything . . . and how Black Americans fighting for equality decade after decade have preserved our democracy. The revelations are horrific and empowering. . . . This visionary, meticulously produced, profound, and bedrock-shifting testament belongs in every library and on every reading list. . . . [An] invaluable and galvanizing history . . . revelatory.”—Booklist (starred review)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Democracy
Nikole Hannah-Jones
My dad always flew an American flag in our front yard. The blue paint on our two-story house was sometimes chipped; the fence, or the rail by the stairs, or the front door might occasionally fall into disrepair, but that flag always flew pristine. Our corner lot, which had been redlined by the federal government, was along the river that divided the Black side from the white side of our Iowa town. At the edge of our lawn, high on an aluminum pole, soared the flag, which my dad would replace with a new one as soon as it showed the slightest tatter.
My dad was born into a family of sharecroppers on a white plantation in Greenwood, Mississippi, where Black people bent over cotton from can’t-see-in-the-morning to can’t-see-at-night, just as their enslaved ancestors had done not long before. The Mississippi of my dad’s youth was an apartheid state that subjugated its Black residents—almost half of the population—through breathtaking acts of violence. White residents in Mississippi lynched more Black people than those in any other state in the country, and the white people in my dad’s home county lynched more Black residents than those in any other county in Mississippi, for such “crimes” as entering a room occupied by white women, bumping into a white girl, or trying to start a sharecroppers union. My dad’s mother, like all the Black people in Greenwood, could not vote, use the public library, or find work other than toiling in the cotton fields or toiling in white people’s houses. In the 1940s, she packed up her few belongings and her three small children and joined the flood of Black Southerners fleeing to the North. She got off the Illinois Central Railroad in Waterloo, Iowa, only to have her hopes of the mythical Promised Land shattered when she learned that Jim Crow did not end at the Mason-Dixon Line.
Grandmama, as we called her, found a Victorian house in a segregated Black neighborhood on the city’s east side and then found the work that was considered Black women’s work no matter where Black women lived: cleaning white people’s homes. Dad, too, struggled to find promise in this land. In 1962, at age seventeen, he signed up for the army. Like many young men, he joined in hopes of escaping poverty. But he went into the military for another reason as well, a reason common to Black men: Dad hoped that if he served his country, his country might finally treat him as an American.
The army did not end up being his way out. He was passed over for opportunities, his ambition stunted. He would be discharged under murky circumstances and then labor in a series of service jobs for the rest of his life. Like all the Black men and women in my family, he believed in hard work, but like all the Black men and women in my family, no matter how hard he worked, he never got ahead.
So when I was young, that flag outside our home never made sense to me. How could this Black man, having seen firsthand the way his country abused Black Americans, the way it refused to treat us as full citizens, proudly fly its banner? My father had endured segregation in housing and school, discrimination in employment, and harassment by the police. He was one of the smartest people I knew, and yet by the time I was a work-study student in college, I was earning more an hour than he did. I didn’t understand his patriotism. It deeply embarrassed me.
I had been taught, in school, through cultural osmosis, that the flag wasn’t really ours, that our history as a people began with enslavement, and that we had contributed little to this great nation. It seemed that the closest thing Black Americans could have to cultural pride was to be found in our vague connection to Africa, a place we had never been. That my dad felt so much honor in being an American struck me as a marker of his degradation, of his acceptance of our subordination.
Like most young people, I thought I understood so much, when in fact I understood so little. My father knew exactly what he was doing when he raised that flag. He knew that our people’s contributions to building the richest and most powerful nation in the world were indelible, that the United States simply would not exist without us.
In August 1619, just twelve years after the English settled Jamestown, Virginia, one year before the Puritans landed at Plymouth, and some 157 years before English colonists here decided they wanted to form their own country, the Jamestown colonists bought twenty to thirty enslaved Africans from English pirates. The pirates had stolen them from a Portuguese slave ship whose crew had forcibly taken them from what is now the country of Angola. Those men and women who came ashore on that August day mark the beginning of slavery in the thirteen colonies that would become the United States of America. They were among the more than 12.5 million Africans who would be kidnapped from their homes and brought in chains across the Atlantic Ocean in the largest forced migration in human history until the Second World War. Almost two million did not survive the grueling journey, known as the Middle Passage.
Before the abolition of the international slave trade, more than four hundred thousand of those 12 million enslaved Africans transported to the Americas would be sold into this land. Those individuals and their descendants transformed the North American colonies into some of the most successful in the British Empire. Through backbreaking labor, they cleared territory across the Southeast. They taught the colonists to grow rice and to inoculate themselves against smallpox. After the American Revolution, they grew and picked the cotton that, at the height of slavery, became the nation’s most valuable export, accounting for half of American goods sold abroad and more than two-thirds of the world’s supply. They helped build the forced labor camps, otherwise known as plantations, of George Washington, Thomas Jefferson, and James Madison, sprawling properties that today attract tens of thousands of visitors from across the globe captivated by the history of the world’s greatest democracy. They laid the foundations of the White House and the Capitol, even cast with their unfree hands the Statue of Freedom atop the Capitol dome. They lugged the heavy wooden tracks of the railroads that crisscrossed the South and carried the cotton picked by enslaved laborers to textile mills in the North, fueling this country’s Industrial Revolution. They built vast fortunes for white people in both the North and the South—at one time, the second-richest man in the nation was a Rhode Island “slave trader.” Profits from Black people’s stolen labor helped the young nation pay off its war debts and financed some of our most prestigious universities. The relentless buying, selling, insuring, and financing of their bodies and the products of their forced labor would help make Wall Street a thriving banking, insurance, and trading sector, and New York City a financial capital of the world.
But it would be historically inaccurate to reduce the contributions of Black people to the vast material wealth created by our bondage. Black Americans have also been, and continue to be, foundational to the idea of American freedom. More than any other group in this country’s history, we have served, generation after generation, in an overlooked but vital role: it is we who have been the perfecters of this democracy.
The United States is a nation founded on both an ideal and a lie. Our Declaration of Independence, approved on July 4, 1776, proclaims that “all men are created equal” and “endowed by their Creator with certain unalienable rights.” But the white men who drafted those words did not believe them to be true for the hundreds of thousands of Black people in their midst. A right to “Life, Liberty and the pursuit of Happiness” did not include fully one-fifth of the new country. Yet despite being violently denied the freedom and justice promised to all, Black Americans believed fervently in the American creed. Through centuries of Black resistance and protest, we have helped the country live up to its founding ideals. And not only for ourselves—Black rights struggles paved the way for every other rights struggle, including women’s and gay rights, immigrant and disability rights.
Without the idealistic, strenuous, and patriotic efforts of Black Americans, our democracy today would look very different; in fact, our country might not be a democracy at all.
One of the very first to die in the American Revolution was a Black and Indigenous man named Crispus Attucks who himself was not free. In 1770, Attucks lived as a fugitive from slavery, yet he became a martyr for liberty in a land where his own people would remain enslaved for almost another century. In every war this nation has waged since that first one, Black Americans have fought—today we are the most likely of all racial groups to serve in the United States military.
My father, one of those many Black Americans who answered the call, knew what it would take me years to understand: that the year 1619 is as important to the American story as 1776. That Black Americans, as much as those men cast in alabaster in the nation’s capital, are this nation’s true founding fathers. And that no people has a greater claim to that flag than we do.
Product details
- ASIN : B08XYPW4G7
- Publisher : One World (November 16, 2021)
- Publication date : November 16, 2021
- Language : English
- File size : 26.0 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 539 pages
- Page numbers source ISBN : 0593230590
- Best Sellers Rank: #44,752 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the authors
NIKOLE HANNAH-JONES is the Pulitzer Prize-winning creator of the 1619 Project and a staff writer at The New York Times Magazine. She has spent her career investigating racial inequality and injustice, and her reporting has earned her the MacArthur Fellowship, known as the Genius grant, a Peabody Award, two George Polk Awards and the National Magazine Award three times. Hannah-Jones also earned the John Chancellor Award for Distinguished Journalism and was named Journalist of the Year by the National Association of Black Journalists and the Newswomen's Club of New York. In 2020 she was inducted into the Society of American Historians and in 2021, into the North Carolina Media Hall of Fame. She was also named a member of the prestigious Academy of Arts and Sciences.
In 2016, Hannah-Jones co-founded the Ida B. Wells Society for Investigative Reporting, which seeks to increase the number of reporters and editors of color. She holds a Master of Arts in Mass Communication from the University of North Carolina and earned her BA in History and African-American studies from the University of Notre Dame.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book informative and scholarly, with well-written chapters on important topics. They describe it as an engaging read with gripping writing that is easy to understand. Readers appreciate the thought-provoking suggestions and consider it an important work that will change their lives for the better. However, opinions differ on the racism depicted in the book, some finding it methodical and systematic, while others express horror at the continuing hatred for minorities.
AI-generated from the text of customer reviews
Customers find the book informative about the history of America and modern society. They appreciate the scholarly work that presents events in great detail, with much research into chronicles. The book covers many important topics, unpacking America's history in accordance with American law. Readers say it's an excellent history book on how America was built on enslaved labor.
"This book is the truth and nothing but the truth. Easy reading and well written with the sources. Congratulations on this stellar book!" Read more
"...As a whole, the essays are excellent, the fiction is very good, and the poetry is reasonable good. My primary focus is on the essays...." Read more
"...Academically crafted, the text unpacks America's history in accordance with American law with the addition of statements from a number of the country..." Read more
"Good research and this book should be in all schools and everyone library." Read more
Customers find the book engaging and informative. They describe it as a must-read that analyzes America's history. The book is considered monumental, a civics book worth owning, reading, and contemplating. Readers appreciate the arguments and autobiographies of this former slave and newspaper. Overall, they consider it a worthwhile read and well worth the search and money.
"...Congratulations on this stellar book!" Read more
"...A truly monumental book!" Read more
"...have been shorter and still gotten it's points across but it's worth reading. Would recommend." Read more
"An highly readable book on the unsung role of slavery in American history. An eye opener" Read more
Customers find the writing engaging and easy to read. They describe it as an essential literary experience for Americans to know the truth about the United States. The book includes essays, poems, and works of fiction. Readers appreciate that the writing is clear and well-researched.
"This book is the truth and nothing but the truth. Easy reading and well written with the sources. Congratulations on this stellar book!" Read more
"...Included are poems, photographs, and essays that argue, humanize, question and romanticize moments in Black American history...." Read more
"...1619 Project: A New Origin Story" is a well-researched and well-written eye-opener that should be part of any American History curriculum at least..." Read more
"...the rest of the book to read, I find that the author wrote this in great detail, with much research of the chronicles events that took place from..." Read more
Customers find the book thought-provoking and valuable. They say it provides historical details and thoughtful suggestions on how to reach a more equitable society. The book is described as difficult to read but necessary, influencing future possibilities. Readers mention that the subject matter is tough and they have many emotions while reading it. The book includes poems, photographs, and essays that argue, humanize, and question certain information.
"...This section is very helpful and contains a reasonable amount of additional information...." Read more
"...Included are poems, photographs, and essays that argue, humanize, question and romanticize moments in Black American history...." Read more
"...reminder of how history shapes the present moment and influences future possibilities. For me, this "project" has been paradigm-shifting...." Read more
"...this fact, time and time throughout our history, the most ardent, courageous, and consistent freedom fighters have been Black Americans."..." Read more
Customers have different views on the book's racism. Some find it an informative introduction to the continuing hatred for minorities and legal violence against blacks. Others feel that the author did not portray slavery in an honest way and did not follow Critical Race Theory.
"...Slavery is heartbreaking. Jim Crow is heartbreaking. The current state of politics in 2022 is depressing...." Read more
"...serves as a historical analysis of legal violence, subjugation, legal discrimination, and terrorism performed on behalf of white supremacist ideology..." Read more
"...notions about the founding of this country, and its barbaric treatment of the African peoples; brought here, for no purpose other than to be worked..." Read more
"Humanity, empathy, compassion and America's historical short-comings as she struggles through democracy and the institution of slavery is overall a..." Read more
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Top reviews from the United States
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- Reviewed in the United States on February 13, 2025This book is the truth and nothing but the truth. Easy reading and well written with the sources. Congratulations on this stellar book!
- Reviewed in the United States on February 25, 2025The 1619 Project covers the impact of slavery over a period of 400 years. As a whole, the essays are excellent, the fiction is very good, and the poetry is reasonable good.
My primary focus is on the essays. Generally speaking, they are very well written and very readable. There is an edginess to the essays, but I think that's the point when it comes to describing the Black experience in America over the past 400 years.
The book does contain a single notes section for the essays. This section is very helpful and contains a reasonable amount of additional information. Numerous prominent works are cited, and it's a real shame that the book doesn't contain a bibliography.
- Reviewed in the United States on April 8, 2022"Would America have been America without her Negro people?"
–W.E.B. Dubois
In exposing our nation’s troubled roots, the 1619 Project challenges us to think about American exceptionalism that we treat as the unquestioned truth. It asks us to consider who sets and shapes our shared national memory and what and particularly who gets left out.
Ana Lucia Araujo writes in Slavery in the Age of Memory, “despite its ambitions of objectivity,” public history is molded by the perspectives of the most powerful members of society. And in the United States, public history has often been “racialized, gendered and interwoven in the fabric of white supremacy." Yet it is still posed as objective.
This critique is not to imply that this generation of America's white citizens are personally responsible for slavery, or to suggest that the current generation of whites are ALL racist. Instead, this serves as a historical analysis of legal violence, subjugation, legal discrimination, and terrorism performed on behalf of white supremacist ideology. The 1619 Project provides a diagnosis and proposes a cure to the chronic illness of anti-black racism that continues to plague this country through hostile policy and hostile institutions.
Academically crafted, the text unpacks America's history in accordance with American law with the addition of statements from a number of the country’s leaders, and other relevant documentation to make its case. In addition, Nikole Hannah Jones has assured that the data is present to match her argument as further evidence of a prolonged intentional injustice that has evolved into modern day abstractions designed with similar malicious intentions. She and an all-star cast of writers layout the causes and effects of policy that has placed us at this current racial reckoning moment in the US, in which many had claimed to be post-racial after the election of Barack Obama.
The very fact that numerous Republican states have made united efforts to ban this book is a testament to censoring voices that offer productive solutions that sincerely attempt to lead to a more perfect union. A union that is unapologetically braggadocious about its freedom of speech. That is until it's time to deconstruct what is implied to "Make America Great Again?"
For who?
When was it great?
Why was it great?
... Are just a few of the questions that entangles mythology with reality for the sake of political aims. The 1619 Project disrupts that line of thinking by arguing on behalf of so much human potential made to unreasonably suffer because of primitive debunked logic that has not improved the lot of the country as a whole.
Included are poems, photographs, and essays that argue, humanize, question and romanticize moments in Black American history. Also included, is relentless pain, suffering and ridicule, yet Black Americans continue believing in the idea of democracy truly fulfilled one day for all Americans. And it will require an authentic moment of truth and reconciliation from us all to get there.
A truly monumental book!
- Reviewed in the United States on February 19, 2025A truly commendable and impressive accomplishment. An epic distillation of vital thought and scholarship on a many-faceted subject. Absolutely essential to any understanding of America's social, economic, and political circumstances, and an important reminder of how history shapes the present moment and influences future possibilities. For me, this "project" has been paradigm-shifting. I hope to read much more on the topics discussed.
- Reviewed in the United States on January 3, 2025Good research and this book should be in all schools and everyone library.
- Reviewed in the United States on January 6, 2025This is an eye-opening book. Not only did we not learn any of this in school, it highlights the pervasiveness of structural racism in our current society. Being part of the dominant White culture blinds us to the reality of racism. We don't have to think about it so we don't. Please think about it and this book will help you do so.
- Reviewed in the United States on August 2, 2022This work and other news I've consumed these past few years makes me think our current education system just out and out lies to our students, contributing to the problems we have not dealt with but also just making me pretty angry my teachers, my politicians, etc. couldn't have done a better job at recognizing an issue and shining light on it. We studied the Holocaust openly and still respect Germany as a country. Yet in many places we still pretend slavery and the civil war was a state's rights issue and only really remember as John Oliver remarked on one of his shows the couple of quotes MLK made that are easy to digest. I'm glad this collection is out there. I think it could have been shorter and still gotten it's points across but it's worth reading. Would recommend.
Top reviews from other countries
- JohnReviewed in Canada on September 16, 2024
5.0 out of 5 stars The book explains how thing have come to be.
Full of history about slavery in America and how this influences all of us to this day. A must read for every citizen.
- LivReviewed in the United Kingdom on June 9, 2024
5.0 out of 5 stars BOOK: The 1619 Project
Great, book. Very insightful!
- Patrick C. K.Reviewed in Italy on October 30, 2023
5.0 out of 5 stars One of the best I have read.
This is one of the best books I have read. Full of history, compassion, suffering, hope and triumphs. As many already stated in the reviews, this should be required reading for students (rather than banned as it is in some schools that were forced to do so by their state governments).
-
AndreasReviewed in Germany on December 28, 2021
5.0 out of 5 stars Wichtiger Beitrag zum Verständnis der US-amerikanischen Geschichte und Gegenwart
Viele setzen den Beginn der US-amerikanischen Geschichte auf das Jahr 1776, den Sieg über die Kolonialmächte, die Verfassung. Das 1619-Projekt datiert den Ursprung der USA zurück auf die Ankunft des ersten Schiffes, gefüllt mit afrikanischen Sklav*innen zur Ausbeutung im beginnenden amerikanischen Wirtschaftssystem. Was Nikole Hannah-Jones im NY Times Magazin begann, liegt nun ausgearbeitet als Buch vor. Wie brisant das Projekt ist, zeigt sich auch an den heftigen Gegenreaktionen des konservativen Lagers in den USA, das mit Macht versucht, den Einsatz des 1619-Projekts in Schulen zu unterbinden.
- Lamiya BataReviewed in Australia on January 13, 2022
5.0 out of 5 stars Important | heartbreaking | A must read
This is a phenomenal book- coming from someone who predominantly reads fiction. It provides a critical analysis of North American history and answers a lot of questions about why the USA is the way it is in present day.
It is heartbreaking to read at times. But it would be a disservice to the enslaved people to look away from their story, a story that isn’t often told or given its due respect.
P.s. the 1619 podcast is exceptional too!