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Elizabeth Strout

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Lucy by the Sea: A Novel Kindle Edition

by Elizabeth Strout (Author) Format: Kindle Edition

4.3 17,492 ratings

Book 4 of 4: Amgash

Goodreads Choice Award nominee

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NEW YORK TIMES BESTSELLER * From Pulitzer Prize-winning author Elizabeth Strout comes a poignant, pitch-perfect novel about a divorced couple stuck together during lockdown—and the love, loss, despair, and hope that animate us even as the world seems to be falling apart.

"Strout's understanding of the human condition is capacious."—NPR

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The Washington Post, The Christian Science Monitor, PopSugar, She Reads

With her trademark spare, crystalline prose—a voice infused with "intimate, fragile, desperate humanness" (The Washington Post)—Elizabeth Strout turns her exquisitely tuned eye to the inner workings of the human heart, following the indomitable heroine of My Name Is Lucy Barton through the early days of the pandemic.

As a panicked world goes into lockdown, Lucy Barton is uprooted from her life in Manhattan and bundled away to a small town in Maine by her ex-husband and on-again, off-again friend, William. For the next several months, it's just Lucy, William, and their complex past together in a little house nestled against the moody, swirling sea.

Rich with empathy and emotion, Lucy by the Sea vividly captures the fear and struggles that come with isolation, as well as the hope, peace, and possibilities that those long, quiet days can inspire. At the heart of this story are the deep human connections that unite us even when we're apart—the pain of a beloved daughter's suffering, the emptiness that comes from the death of a loved one, the promise of a new friendship, and the comfort of an old, enduring love.

Shortlisted for the Rathbones Folio Prize

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Who knows why people are different? We are born with a certain nature, I think. And then the world takes its swings at us.
Highlighted by 2,188 Kindle readers
We all live with people—and places—and things—that we have given great weight to. But we are weightless, in the end.
Highlighted by 1,963 Kindle readers
The question of why some people are luckier than others—I have no answer for this.
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From the Publisher

A story about the deep human connections that unite us even when we’re apart

The New Yorker says it is meant to feel like life . . . but it is art

Editorial Reviews

Review

“No novelist working today has [Elizabeth] Strout’s extraordinary capacity for radical empathy, for seeing the essence of people beyond reductive categories, for uniting us without sentimentality. I didn’t just love Lucy by the Sea; I needed it. May droves of readers come to feel enlarged, comforted, and genuinely uplifted by Lucy’s story.”—The Boston Globe

“Heartwarming as well as somber . . . Although simple on the surface, Strout’s new novel manages, like her others, to encompass love and friendship, joy and anxiety, grief and grievances, loneliness and shame—and a troubling sense of growing unrest and division in America. . . . Strout’s understanding of the human condition is capacious.”—NPR

“Rendered in Strout’s graceful, deceptively light prose . . . Lucy’s done the hard work of transformation. May we do the same.” —The New York Times Book Review

“Like all of Strout’s novels, Lucy by the Sea has an anecdotal surface that belies a firm underlying structure. It is meant to feel like life—random, surprising, occasionally lit with flashes of larger meaning—but it is art.”—The New Yorker

“The novel inhabits an emotionally rich terrain, where past failures shine light on future possibilities, where strength comes from vulnerability and where chance challenges choices. . . . Strout is a natural and generous writer, letting feeling and intuition lead her craft.”—Associated Press

“Deeply moving and quietly funny.”—The New York Times (100 Notable Books of 2022)

“Strout fans will delight in the appearance of beloved characters from previous novels, including Olive Kitteridge and Isabelle . . . as they struggle and hope—together but in isolation.”—The Washington Post (50 Notable Works of Fiction)

“Through her empathetic hand, Strout reveals what was lost in this turbulent time, but also—via her discoveries about marriage, family, and love—what Lucy gained.”—Time

“Poised and moving . . . It is only in the steady hands of Strout, whose prose has an uncanny, plainspoken elegance, that you will want to relive those early months of wiping down groceries and social isolation. . . . This is a slim, beautifully controlled book that bursts with emotion.”—Vogue

“The Pulitzer Prize–winning Portland author reprises her Lucy Barton character to convert the grimmest period in our recent past into something triumphant and hopeful.”—Portland Press Herald

“A quietly profound book about grief and loss—oh, so much loss!—but also kindness, generosity and resilience.”—Minneapolis Star Tribune

“Strout excels at distilling complex human emotions—fear of failure, regret that we never measured up— into something familiar and understandable.”—BookTrib

“Strout follows up Oh William! with a captivating entry in the Lucy Barton series. . . . What emerges is a prime testament to the characters’ resilience. With Lucy Barton, Strout continues to draw from a deep well.”—Publishers Weekly (starred review)

About the Author

Elizabeth Strout is the #1 New York Times bestselling author of Lucy by the Sea; Oh William!; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine.

Excerpt. © Reprinted by permission. All rights reserved.

One

i

Like many others, I did not see it coming.

But William is a scientist, and he saw it coming; he saw it sooner than I did, is what I mean.

William is my first husband; we were married for twenty years and we have been divorced for about that long as well. We are friendly, I would see him intermittently; we both were living in New York City, where we came when we first married. But because my (second) husband had died and his (third) wife had left him, I had seen him more this past year.

About the time his third wife left him, William found out that he had a half-sister in Maine; he found it out on an ancestry website. He had always thought he was an only child, so this was a tremendous surprise for him, and he asked me to go up to Maine for two days with him to find her, and we did, but the woman—her name is Lois Bubar— Well, I met her but she did not want to meet William, and this made him feel very terrible. Also, on that trip to Maine we found out things about William’s mother that absolutely dismayed him. They dismayed me as well.

His mother had come from unbelievable poverty, it turned out, even worse than the circumstances I had come from.

The point is that two months after our little trip to Maine, William asked me to go to Grand Cayman with him, which is where we had gone with his mother, Catherine, many, many years before, and when our girls were small we would go there with them and with her too. The day he came over to my apartment to ask me to go with him to Grand Cayman, he had shaved off his huge mustache and also cut his full white hair very short—and only later did I realize this must have been a result of Lois Bubar’s not wanting to see him plus everything he had learned about his mother. He was seventy-one years old then, but he, kind of, I think, must have been plunged into some sort of midlife crisis, or older man crisis, with the loss of his much younger wife moving out and taking their ten-year-old daughter, and then his half-sister’s not wanting to see him and his finding out that his mother had not been who he’d thought she had been.

So I did that: I went to Grand Cayman with him for three days in early October.

And it was odd, but nice. We had separate rooms, and we were kind to each other. William seemed more reticent than usual, and it was strange for me to see him without his mustache. But there were times when he threw his head back and really laughed. There was a politeness to us that was consistent; so it was a little strange, but nice.

But when we got back to New York, I missed him. And I missed David, my second husband, who had died.

I really missed them both, David especially. My apartment was so quiet!

•

I am a novelist and I had a book coming out that fall, and so after our trip to Grand Cayman I had a great deal of traveling to do around the country and I did it; this was in late October. I was also scheduled to go to Italy and Germany in the beginning of March, but in early December—it was kind of odd—I just decided I was not going to go to those places. I never cancel book tours and the publishers were not happy, but I was not going to go. As March approached someone said, “Good thing you didn’t go to Italy, they’re having that virus.” And that’s when I noticed it. I think that was the first time. I did not really think about it ever coming to New York.

But William did.

ii

It turned out that the first week in March, William had called our daughters, Chrissy and Becka, and asked—begged—them to leave the city; they both lived in Brooklyn. “And don’t tell your mother yet, but please do this. I will deal with her.” And so they hadn’t told me. Which is interesting because I feel that I am close to our girls, I would have said closer to them than William is. But they listened to him. Chrissy’s husband, Michael, who is in finance, really listened, and he and Chrissy made arrangements to go to Connecticut to stay in the house of Michael’s parents—his parents were in Florida, so Chrissy and Michael could stay in their house—but Becka balked, saying that her husband did not want to leave the city. Both girls said they wanted me to know what was going on, and their father said to them, “I’ll take care of your mother, I promise, but get out of the city now.”

A week later William called me and told me this, and I was not frightened but I was confused. “They’re actually leaving?” I said, meaning Chrissy and Michael, and William said yes. “Everyone is going to be working from home soon,” he said, and again I did not really understand it. He added, “Michael has asthma, so he should be especially careful.”

I said, “He doesn’t have terrible asthma, though,” and William paused and then said, “Okay, Lucy.”

Then he told me that his old friend Jerry had the virus and was on a ventilator. Jerry’s wife also had the virus, but she was at home. “Oh Pill, I’m so sorry!” I said, yet I still did not get it, the importance of what was happening.

It’s odd how the mind does not take in anything until it can.

The next day William called and said that Jerry had died. “Lucy, let me get you out of this city. You’re not young, and you’re scrawny and you never exercise. You’re at risk. So let me pick you up and we’ll go.” He added, “Just for a few weeks.”

“But what about Jerry’s funeral?” I asked.

William said, “There will be no funeral, Lucy. We’re in a—a mess.”

“Where out of the city?” I asked.

“Out of the city,” he said.

I told him I had appointments, I was supposed to see my accountant, and I was supposed to get my hair done. William said I should call my accountant and get an earlier appointment and to cancel my hair and to be ready to leave with him in two days.

I could not believe that Jerry had died. I mean that sincerely, I could not believe it. I had not seen Jerry in many years, and maybe that was why I was having trouble. But that Jerry had died: I could not get it into my head. He was one of the first people to die of the virus in New York City; I did not know that at the time.

But I got an earlier appointment with my accountant, and also for my hair, and when I went to my accountant’s office I took the small elevator up: It always stops at every floor, he is on the fifteenth floor, and people squeeze in holding their paper coffee cups and then look down at their shoes until they get off, floor by floor. My accountant is a large, burly man, my age exactly, and we have always loved each other; it may sound a little strange, because we do not socialize, but he is one of my favorite people in a way, he has been so deeply kind to me over these many years. When I walked into his office he said “Safe distance,” waving to me, and so I understood then that we would not hug as we always do. He joked about the virus, but I could tell he was nervous about it. When we were through with our meeting he said, “Why don’t you go down the freight elevator, I can show you where it is. You’ll be alone on it.” I was surprised and I said, Oh no, there was no need for that. He waited a moment, and then he said, “Okay. Bye-bye, Lucy B,” blowing me kisses, and I went down in the regular elevator to the street. “See you at the end of the year,” I said to him; I remember saying that. And then I took the subway downtown to get my hair done.

I have never liked the woman who colors my hair—I had adored the first woman who colored it for years, but she moved to California—and the woman who took over, I just never liked her. And I did not like her that day. She was young and had a small child, and a new boyfriend, and I understood that day that she did not like her child, she was cold, and I thought: I am never coming back to you.

I do remember thinking that.

When I got home to my building I met a man in the elevator who said he had just gone to the gym on the second floor but the gym was closed. He seemed surprised about this. “Because of the virus,” he said.

•

William called me that night and said, “Lucy, I’m picking you up tomorrow morning and we’re leaving.”

It was a strange thing; I mean that I was not alarmed but I was still kind of surprised at his insistence. “But where are we going?” I asked.

And he said, “The coast of Maine.”

“Maine?” I said. “Are you kidding? We’re going back to Maine?”

“I’ll explain,” he said. “Just please get yourself ready.”

Product details

ASIN ‏ : ‎ B09VWWN5BJ
Publisher ‏ : ‎ Random House (September 20, 2022)
Publication date ‏ : ‎ September 20, 2022
Language ‏ : ‎ English
File size ‏ : ‎ 3517 KB
Text-to-Speech ‏ : ‎ Enabled
Screen Reader ‏ : ‎ Supported
Enhanced typesetting ‏ : ‎ Enabled
X-Ray ‏ : ‎ Enabled
Word Wise ‏ : ‎ Enabled
Sticky notes ‏ : ‎ On Kindle Scribe
Print length ‏ : ‎ 291 pages
Page numbers source ISBN ‏ : ‎ 1638085021

Best Sellers Rank: #25,409 in Kindle Store (See Top 100 in Kindle Store)
- #39 in Literary Sagas
- #162 in Contemporary Literary Fiction
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Elizabeth Strout

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Elizabeth Strout is the author of the New York Times bestseller Olive Kitteridge, for which she was awarded the Pulitzer Prize; the national bestseller Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine and New York City.

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Bonnie Brody

Beautiful and Sparkling Writing

Reviewed in the United States on September 27, 2022

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Elizabeth Strout does it again - she writes a sterling, beautiful novel that captures its readers with its spare and sparkling prose.

It is the beginning of the pandemic and William, Lucy's ex-husband, wants to get Lucy and himself out of New York City and to Maine. He has a friend there who will loan him a house and William feels they will be much safer than if they remained in New York. Lucy agrees to accompany him and the novel shows how the two of them settle in, face the pandemic, make new friends and interact with their two adult daughters.

Lucy is enraptured by the sound of the sea. It is her song as she faces lockdown. She takes a walk every morning and listens to the sounds of this rural community so different from New York City.

During lockdown, Lucy meets Bob Burgess, a character from one of her earlier novels, and they become great, enduring friends.. Lucy loves him and their walks together are one of her treasured moments. Olive Kitteridge also appears briefly in this novel as a patient in an assisted living facility.

Lucy is still grieving the death of David, her second husband, and the reader can see how she is trying hard to navigate her relationship with William, her first husband ,with whom she shares two daughters, Chrissy and Becca. There is family drama with the daughters but there is never any doubt of Lucy's love and respect for her children.

Lucy is a loving woman who has survived an awfully traumatic childhood. Despite her occasional panic attacks and anxiety, she has arisen from her childhood with grace and love. She remains traumatized from her childhood but her ability to love is remarkable.

I have read all of Elizabeth Strout's novels and each one shines with a beauty of its own. Lucy By The Sea can be read as a stand-alone but would be better appreciated after reading the preceding Lucy Barton novels.

42 people found this helpful

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ireadthereforeiam

Pandemic Fiction

Reviewed in the United States on May 10, 2023

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I had read a review of this and was interested that it was a fictional exploration of something so recent in memory. Strout takes the reader back to that first panic-- the waiting, the lack of immediate knowledge regarding the severity of the virus itself.
Where she reveals her virtuosity is in her beautifully concise paragraphs and how she stacks, or catalogs the paragraphs for the strongest affect. Whether she is making a point, revealing character, or telling details from the past, the way that Strout uses language--the flourish of a sentence in some cases-- wordplay in others -- is beautiful. The narrator leaves the city at the request of her ex-husband and they share a house together in Maine during lockdown. This setting allows the narrator to remember her past life with her husband but through the lens of time having passed and with the backdrop of the virus. Despite the quietness of the circumstances they find themselves in, Strout creates an emotional roaring through her use of memory, the remembrance of past betrayals, and the narrator's desire to move into the future.

13 people found this helpful

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LindaL

A magnificent pandemic novel

Reviewed in the United States on March 14, 2023

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After seeing Elizabeth Strout live at Eckerd College and hearing Andre Dubus interview her, I gained greater insight into her writing process in formulating her latest great novel, <em>Lucy By the Sea</em>. I have read almost everything Strout has written and love the Lucy Barton character. She is thoughtful, reflective, and so relatable. Strout emphasized in her interview that she loves to write about ordinary people and does that masterfully.

In this novel, Lucy lockdowns with her ex-husband William in 2020. William insists that she leave New York City, and his friend Bob Burgess, a character from another Stout novel, arranges for them to stay in a house in Maine so that they would be safe. Of course, in Maine, they face some anti-New York sentiments from neighbors, but they also connect with old friends and meet some new ones. Connecting with people during this time of isolation was an essential theme of this pandemic novel. Connections included adult children and other relatives, including William's half-sister whom readers met in Strout's previous book, <em>Oh William</em>.

Elizabeth Strout includes much darkness, grief, and loss as Lucy experiences myriad emotions while watching terrifying pandemic newscasts about her home, New York City, during her sojourn in Maine. Strout says that she illuminates life's truth through her characters, and she certainly does that skillfully. It was so realistic to engage in the marital and other personal problems that Lucy's adult children experienced during the lockdown. Lucy's desire to protect them as a mother and still let them make adult decisions without her interference is palpable to a reader. Through the annals of daily life, Lucy's friendship with her ex-husband grows exponentially, and acceptance of each other's habits and quibbles dominate much of the story.

I loved the way Lucy and William's conversations mimicked the conversations we were all having during the first months of the COVID pandemic. Fear of the unknown was a prevalent topic. The political unrest that overtook the USA during this time is covered realistically. The conflicting feelings, sadness, and mercurial feelings I experienced while reading this book provided a reliving of the angst discussed on nightly newscasts and Zoom calls with friends.

13 people found this helpful

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SueH

Loved it

Reviewed in Canada on May 3, 2023

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I have now read all but one of Elizabeth Strout's books. Her writing is beautiful and she writes equally well from different perspective (men, women, older and younger people). I enjoy the way her books weave together characters from different books. The treatment of the pandemic this book is the best I have seen in any novel yet - evoking the panic and loneliness, but - unlike novels from other authors - in a way that will not become dated.

Linda Russell Archer

Elizabeth Strout draws us back into a recent past we perhaps prefer to forget

Reviewed in Mexico on November 5, 2022

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It was strange reading a novel about living through the pandemic. It somehow made something very recent, seem long ago, and something that has, for various reasons, so quickly been pushed into the past, as strangely present again.

Renata

Titel des Buches „ Lucy by the Sea“von Elizabeth Strout

Reviewed in Germany on March 16, 2024

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Mir hat besonders gefallen, dass das Buch in der Originalsprache so schnell lieferbar war. Strout- Fan war ich schon vorher, und dieser neue
Roman, der in den USA währed der Corona- Pandemie spielt, hat mir gut gefallen!

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Janie U

Reflection of us all

Reviewed in the United Kingdom on January 13, 2024

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I'd read the Olive Kitteridge books and the previous Lucy Barton's so was looking forward to this one. Elizabeth Strout has a beautiful way of writing that is always sensitive but never ignores reality. Lucy has a complicated back story and I was curious to see where it would go next.
There are 288 pages split into 8 chapters which are then subdivided further. The book was first published in 2022.
This is a small book with a large font. I had high expectations and started it cautiously as I did not want it to end quickly.
Lockdown effected people in many different ways and, reading this book, many of the emotions were reignited. To begin with, Lucy has no idea about what is happening so cannot be prepared. It's first person narrative allows her to look back and reflect - through that process she tells us about her total sense of bewilderment as the world started to close around her.
Whilst maintaining a personal sense of confusion, ES shows that Lucy becomes more aware of her immediate surroundings - appreciating small details of nature that she had never noticed before. This allows the reader's memories to resurface and compare themselves to Lucy.
Lucy is created in a way that any reader will be able to empathise on some level - whilst at the same time knowing that Lucy would not value this understanding.
ES fills the book with contradictions - anger/contentment, frustration/calm, avoidance/involvement - many of which will familiar from the lockdowns. Lucy shows a rollercoaster of emotions all made more poignant during the pandemic.
Lucy thinks hard about her life - she is respectful and humble. Any advice she gives is worth listening to and there is much that she says in this book that I wanted to remember so I could pass it onto friends/family when they are having crises of their own.
Lucy is written to have elements of everyone and is a reflection of us all.

3 people found this helpful

Avani

Don't just don't by

Reviewed in India on July 31, 2023

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Don't buy it it is just normal writing during pandemic anyone could have written

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