From School Library Journal
YA. Shaara has chosen four major figures of the Civil War?Generals Lee, Jackson, Hancock, and Chamberlain?and woven an excellent novel told from their individual viewpoints. The author excels at showing the personalities and lives of these key men. The central person in each alternating chapter moves the story toward the bloody battles of the Wilderness and Chancellorsville, and finally to the eve of the Gettysburg campaign. The compassion and religious convictions of Lee and Jackson are contrasted with the equally strong beliefs of Hancock and Chamberlain against secession and the destruction of the Union. All are frustrated by the political and administrative blunders that affect both armies. The author skillfully involves readers with each of the participants. Those unfamiliar with the period will appreciate the introduction and afterword that place the events within the context of the men's lives. Factual detail and deft character development create fascinating historical fiction.?Barry Williams, W. T. Woodson High School, Fairfax, VA
Copyright 1997 Reed Business Information, Inc.
From Library Journal
A better title for this abridgment would be "Vignettes from Gods and Generals" for we are only sketchily introduced to the men who determined the future of a whole nation. Whether it is religious faith, republican ideals, or devotion to a homeland that prompted the decisions that led to the death of over half a million soldiers in the Civil War, the generals have only four hours to make them. Shortening this earnest novel of idealism and death (LJ 5/1/96) results in trivializing its content and frustrating history lovers (surely the largest market for such a work). Stephen Lang reads with warmth and assurance. His suitability for the task cannot be questioned. If only listeners could hear him read the book in its entirety. Not recommended.?Juleigh Muirhead Clark, Coll. of William & Mary, Williamsburg, Va.
Copyright 1996 Reed Business Information, Inc.
This Shaara is the son of Michael Shaara, author of the Pulitzer Prize^-winning, best-selling novel about the Battle of Gettysburg, The Killer Angels (1974). Accompanied by vast publisher promotion, Gods and Generals is Shaara fils' homage to Shaara pere's interest in the Civil War and to the vein of superior historical fiction he mined so notably. This robust, thoughtful novel focuses simultaneously on the lives of four men who played significant roles in the military side of the Civil War in battles leading up to the great one at Gettysburg. A prequel, then, to Killer Angels, the novel follows Stonewall Jackson, Winfield Scott Hancock, Joshua Chamberlain, and Robert E. Lee from 1858 to 1863, giving the reader splendidly detailed witness to how the war drew them into commanding positions. As should be the case with good historical fiction, Shaara, in taking actual figures from the past, rekindles them; he uses the personal experiences of these four men to meaningfully explore the political and military issues of the day. An impressive achievement, sure to be a highly requested public library title. Brad Hooper
From Kirkus Reviews
First-time author Sharra comes of a distinguished lineage: His father, Michael (who died in 1988), wrote the Pulitzer Prizewinning novel The Killer Angels (1974) about the Civil War battle of Gettysburg. It's some testament to the younger Sharra's skills that his own debut, meant to be a prequel to that earlier book, can often hold its own with that work. Like Killer Angels, this new novel focuses mostly on actual figures swept up in that immense conflict: Robert E. Lee and Thomas (``Stonewall'') Jackson on the Confederate side, Joshua Chamberlain and Winfield Scott Hancock on the Union, most prominently. Sharra follows these figures, and a score more, from the onset of the war up to the days just before the 1863 battle at Gettysburg. (A sequel will follow the surviving characters through to the war's conclusion.) And like Killer Angels, this novel displays an impressive grasp of the particulars of the conflict. The author projects some believable, idiosyncratic life into such familiar figures as Lee and Jackson. Lee's early disbelief in the possibility of war, and his growing, almost mystical conviction in the war's necessity and outcome, are all nicely conveyed, as is Joshua Chamberlain's harsh coming-of-age in battle. Sharra is particularly good at rendering the reluctance of many of the combatants. But while this prequel offers a robust portrait of the early years of the war, it lacks something of the impact of Killer Angels. That novel's great resonance had something to do with the intense focus on just three days of battle: Gettysburg became a particularly apt metaphor for the entire conflict. This new book, by having to plod dutifully across several years of battles, seems at times more like an impressionistic work of history than a work of fiction. Still, Sharra's wonderful command of detail and his generally shrewd depiction of character make for an impressive debut. (Author tour) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
Review
“Powerful . . . Though the story of the Civil War has been told many times, this is the rare version that conveys what it must have felt like.”—Chicago Sun-Times
“Compelling . . . a work of vivid drama and skill.”—The Dallas Morning News
“[Jeff] Shaara’s beautifully sensitive novel delves deeply in the empathetic realm of psycho-history, where enemies do not exist—just mortal men forced to make crucial decisions and survive on the same battlefield.”—San Francisco Chronicle
“Historical detail and depth of character carry the book, which examines the viewpoints and vulnerabilities of one of the most fascinating collections of military minds ever assembled on a single battlefront.”—Minneapolis Star Tribune
“Shaara has created human beings of the myths and cold facts.”—St. Petersburg Times
From the Publisher
I arrived at Ballantine shortly before then-publisher Clare Ferraro dropped a 1,200 page doorstop on my desk, practically causing it to bow in the middle. This was the original version of GODS AND GENERALS by Jeff Shaara. I quickly read THE KILLER ANGELS to get a feel for the subject, and then started plowing through G&G. After about 400 pages, Jeff began to find a comfortable style and method of telling the story of Lee, Hancock, Armistead, Chamberlain, Longstreet, and Stonewall Jackson before the battle of Gettysburg. And the book kept getting better. After beating out Turner Books (which has since gone out of business) for the right to publish GODS AND GENERALS, I met Jeff, and we began to get to work. He and I hit it off right from the beginning. Strangely enough, he was born exactly ten years to the day before my best friend, so perhaps it was in the stars that we would work well together.
The biggest challenge of editing GODS AND GENERALS was cutting it down. It was actually easier than one might think, because Jeff had made a typical first-time novelist's mistake--he started his story too early. When Jeff came into my office, he started out by saying "Now one thing we can't do is cut this manuscript . . . " After getting over the initial shock of my suggestion of cutting the first 400 pages of the book, within fifteen minutes he was completely turned around, saying, "We can't publish this book unless we cut the first 400 pages!"
Jeff had started writing about his characters in the Mexican War, and in the peacetime army of the 1850s. While the Mexican War chapters were exciting, they didn't belong in GODS AND GENERALS. And nothing happened in the 1850s, militarily speaking. So Jeff compressed a lot of information into a small number of pages, and begain GODS AND GENERALS in 1858, with Lee's return home to execute the estate of his late father-in-law, and then with John Brown's raid on Harper's Ferry.
As an interesting footnote, Jeff's next book will be about the Mexican War. But I've already told him he can't recycle scenes from the 400 pages we cut. He's a much better writer now!
Doug Grad, Editor
From the Inside Flap
4 cassettes / 4 hours
Read by Stephen Lang
The story of Gods and Generals begins with Michael Shaara, author of the Pulitzer Prize-winning classic The Killer Angels. A native of New Jersey, Michael Shaara grew to be an adventurous young man: over the years, he found work as a sailor, a paratrooper, a policeman, and an English professor at Florida State University. In 1952, his son Jeff was born in New Brunswick, New Jersey.
Michael's interest in Gettysburg was prompted by some letters written by his great-grandfather, who had been wounded at the great battle while serving with the 4th Georgia Infantry. In 1966, he took his family on a vacation to the battlefield and found himself moved.
In 1970, Michael Shaara returned to Gettysburg with his son Jeff. The pair crisscrossed the historic site, gathering detailed information for the father's novel-in-progress. In 1974, the novel was published with the title The Killer Angels. This gripping fictional account of the three bloody days at Gettysburg won Michael Shaara a Pulitzer Prize and a vast, appreciative audience. To date it has sold two million copies.
When Michael Shaara died in 1988, his son Jeff began to manage his literary estate. It was a legacy he knew well, having helped his father create it. When director Ron Maxwell filmed the movie Gettysburg, based on The Killer Angels, he asked Jeff to serve as a consultant. Maxwell encouraged Shaara to continue the story his father began; inspired, Jeff planned an ambitious trilogy, with The Killer Angels as the centerpiece, following the war from its origins to its end.
With Gods and Generals, Jeff Shaara gives fans of The Killer Angels everything they could have asked--an epic, brilliantly written saga that brings the nation's greatest conflict to life.
From the Back Cover
The heartbreaking saga of the years preceding The Killer Angels
"SHAARA'S BEAUTIFULLY SENSITIVE NOVEL DELVES DEEPLY in the empathetic realm of psycho-history, where enemies do not exist--just mortal men forced to make crucial decisions and survive on the same battlefield. . . . [He] succeeds with his historical novel through fully realized characters who were forced to decide their loyalties amid the horrors of their dividing nation."
--San Francisco Chronicle
About the Author
Jeff Shaara was born in 1952 in New Brunswick, New Jersey. It was a family vacation to Gettysburg in 1966 that gave his father, Michael Shaara, the inspiration to write his Pulitzer Prize-winning novel, The Killer Angels. Jeff returned to the historic site with his father in 1970 to help him research the battlefield, and later he served as a consultant for the movie Gettysburg, based on his father's bestselling classic. Director Ron Maxwell inspired and encouraged Jeff to write Gods and Generals. This is his first novel.
About the Reader
Stephen Lang's theater work includes roles on Broadway in Hamlet, A Few Good Men, and the revival of Death of a Salesman. He has appeared in the films The Hard Way, Another You, and Last Exit to Brooklyn and on television in the miniseries The Killer Angeles and NBC's Crime Story. He has previously read Corelli's Mandolin, The Kahlil Gibran Companion, and Mason's Retreat, available on cassette from Random House AudioBooks.
Excerpt. © Reprinted by permission. All rights reserved.
Gods and Generals: Antietam/Sharpsburg
After Lee's victory at Bull Run, he took his men on a march into Maryland, drawing the Union army out of Virginia. But Union commander George McClellan captured Lee's plans; for once in his life he moved quickly to pin the Confederates down in the fields around the town of Sharpsburg, by Antietam Creek.
On September 17, 1862, the two armies clashed in the bloodiest day of the entire war. McClellan launched a series of uncoordinated attacks on Lee's outnumbered army. Joshua Chamberlain served in the Union army's reserve, waiting all day to be ordered into the bloody fight.
Excerpt
They reached a small village, Porterstown, and marched through wide streets, the townspeople standing in doorways, leaning out windows, some waving, others just staring. Farther ahead, on the creek itself, was the Middle Bridge, held by the Confederate division of Daniel Harvey Hill. The rebel forces were dug in, back, away from the creek, and to their front the Federal army was spreading out, into lines of attack, were crossing the creek and preparing for the assault. The battle had begun on the far right, just after dawn, and now, as the sun began to rise up behind them, Chamberlain could hear the steady rumble, and as they moved closer, the sharp sounds of single cannon. He sat high on his horse, moving along with the same slow rhythm of the march, but now the men did not fall out, did not feel the weight of the hot September morning, but stared to the front, marching steadily, closer to the sound of the guns.
He heard the steady clatter of muskets now, still off to the right of the road, to the northwest. The battle is not in front of us, he thought. Strange that we should move this way...not up there.
In front of them, Chamberlain saw a rise, a long, wide hill, and as they began to move up, he saw guns, rows of black cannon set into shallow, round depressions before the crest of the hill. Just then they began to fire, quick bursts of gray smoke, and a sudden shocking boom that startled him and his horse. He bounced around on the road, had to grab the horse hard to calm him. From over the hill he saw Ames, riding hard, past lines of troops that were moving away now, to the right, toward the sounds of the battle.
Ames reined up his horse, and Chamberlain saw he was sweating. "Colonel, we're here, right here. Keep the men in column lines. Let's move them out into this field. Wait for further orders. We are part of the reserve."
Chamberlain turned, and Ames rode past him, into the columns of men, and gave the command to the bugler. With the signal, the men moved quickly off the road. Then Ames rode up again, toward the front of the column, slowed his horse as he reached Chamberlain, said, "Colonel, keep them tight, keep them ready. I am to survey the field to our front."
Chamberlain watched him ride away, up the long hill, turning his horse to the side behind the rows of black cannon. The guns began to fire again, a loud and thunderous volley, and the hill became a great, thick fog bank.
He stayed on his horse, saw now across the road, on the left, vast numbers of troops, lines disappearing into a distant grove of trees, and the men not moving, keeping their formations. He rode out the other way, to the right, into the grass, saw more troops farther out that way, a great field of blue, waiting. He looked to his own men, saw the companies staying in their formations, coming off the road, and he rode up to the head of one column, saw Captain Spears of Company G, a small, sharp man who had also been a teacher. He had a narrow, thick beard, sat on a horse, watched Chamberlain approach, puffed on a large round pipe.
"Well, Colonel, do you think we will get our chance?"
Chamberlain looked back to the crest of the hill, could still not see through the smoke, and another volley thundered out, shaking the ground, startling his horse again.
"Whoa, easy...We'll see, Captain. Right now we must be ready...be ready to move forward on command!" He felt a little foolish, a vague order, felt again as if he were left out, didn't know what was happening. The battle sounds had continued to the northwest, and he wondered, Are they moving away, around us? He glanced at Spears, said, "I'll be right back...just going up the crest a ways, take a look maybe."
"We're right here, Colonel."
He turned the horse, then decided to dismount instead. This wasn't a parade. He jumped down, felt his belt, his pistol, began to walk toward the thick cloud of smoke.
The guns continued to fire, every minute or so, and he wondered, How far away is the enemy? There had been no explosions, no incoming shells, none of the sounds he'd been told about, coached about, by Ames, just the deadening thunder of their own big guns....
Now, from the sounds of the battle, he saw his first troops, thick lines of blue, uneven and ragged formations, moving toward a cornfield, and then smoke, solid lines of gray, and in a few seconds the sound reached him, the chattering musket fire, and the blue lines were in pieces, men moving back, some still advancing, some not moving at all. He saw more lines now, solid blocks of blue spreading wide, advancing, and more smoke, and more sounds, and then, farther away, a glimpse through the smoke, other lines of men, some moving, some firing, quick flashes of white and yellow, and the big guns beside him firing again....
He turned to watch the men working the cannon, and was startled to see more men, his men, watching the battle, lying on the ground, creating a neat blue patch on the hill. He had not thought anyone else would be up here, should not have been up here; he should not be up here, but he knew they could not just wait, could not sit behind some big hill and hear it all and not see.
Chamberlain stood up, began to wave his arms, fast and high, motioning to his men, and another blast came from the guns. He braced himself, did not fall, kept waving, back, move back, wondering if they saw him or were ignoring him. He moved along the hillside, tried to yell, but the sound of the guns took his voice away, and suddenly he heard a high, distant scream, louder now, whistling toward him, dropping down on him from behind. He turned, saw nothing, but the sound pierced his ears, and the ground suddenly flew high around him, dirt spraying him, knocking him down, and he lay still, shook his head...checked, all right, but...a bad day for the ears. Then another scream, overhead, and behind the hill, down where the rest of his men sat waiting, there was another explosion, and he tried to see, but it was beyond the crest.
Suddenly, someone had him under the arms, lifting him, and he said, "No, I'm all right," and he saw the face of an officer, a man with black crust under his eyes, around his mouth and nose, glaring at him with eyes of cold steel.
"You are bloody well not all right, you damned fool! Get these men back off this hill! You're drawing fire to my guns!"
From the Hardcover edition.
The son of the late Pulitzer Prize winner Michael Shaara, Jeff Shaara, finishes his father's vision, begun in the fictionalized account of the Battle of Gettysburg, THE KILLER ANGELS. Chronologically, GODS AND GENERALS takes us from before the Civil War to the invasion of the North after the Battle of Chancellorsville in May 1863. The characters many listeners have grown to revere are introduced here: James Longstreet, Robert E. Lee, Joshua Lawrence Chamberlain, and Winfield S. Hancock, among others. New to this cast and appearing only in this work is Confederate icon "Stonewall" Jackson, who was mortally wounded by his own men at Chancellorsville. Like his father, Shaara ably conveys the thoughts of each person as he is faced with a particular situation. Estell adds to his well-deserved reputation in this recording. He does not attempt to give each of the many characters a distinct voice. A slight shift in tone, a change of inflection, or shift in pace is all he needs to express the thoughts or mood of a character. Narrative portions are read as adroitly. M.T.F. (c) AudioFile, Portland, Maine
